Jusqu'ici, tout va

A film about sexist violence, structured through several independent stories in which actors portray characters of the opposite sex. By using gender-swapped casting, the film explores how reversing traditional roles can shift our understanding of power dynamics and the conflicts that emerge from them.

A family that lives in a population of just over ten thousand inhabitants and about thirty minutes from Barcelona, sees its everyday life shaken by the political events that take place in Catalonia during the months of September and October 2017. A story of maturation and care. A story of a family that learns to break up and separate without hurting each other and without causing trauma. A family that learns to understand the thoughts and attitudes of others as everything gets more and more tense outside their home. A family that does everything possible to talk and understand each other, because, deep down, they love and respect each other. A family that will find a way to forgive and heal the wounds produced throughout this process.

22 years encapsulated in a diary. David Vilaseca captured his day-to-day life on paper from 1987, when he was 23 years old and a young student on an American campus, until 2009, when he was 46 and shortly before he died. Now, Xavier Albertí directs the theatrical adaptation of this revealing novel that turns the self, fears, sex and other personal experiences into high-flying literature.

In a rundown area of Buenos Aires, at the dawn of the 1980s, Adrian LeDuc owns both a struggling movie theater and a shabby apartment building filled with eccentric, squabbling tenants. To make ends meet, Adrian takes in a roommate, Jack Carney, but soon begins to suspect that the quiet American is responsible for a series of political assassinations that are rocking the city.

Hollywood, 1930s. Tod Hackett, a young painter who tries to make his way as an art director in the lurid world of film industry, gets infatuated with his neighbor Faye Greener, an aspiring actress who prefers the life that Homer Simpson, a lone accountant, can offer her.

Ivanhoe Martin arrives in Kingston, Jamaica, looking for work and, after some initial struggles, lands a recording contract as a reggae singer. He records his first song, "The Harder They Come," but after a bitter dispute with a manipulative producer named Hilton, soon finds himself resorting to petty crime in order to pay the bills. He deals marijuana, kills some abusive cops and earns local folk hero status. Meanwhile, his record is topping the charts.

José Sirgado is a low-budget filmmaker whose heroin addiction distorts his perspective of the real world. Although he is a depressed and unstable individual, his mood improves when he receives the mysterious films of Pedro, with whom he shares his passion for cinema.

London, 1956. Genius actor and film director Laurence Olivier is about to begin the shooting of his upcoming movie, premiered in 1957 as The Prince and the Showgirl, starring Marilyn Monroe. Young Colin Clark, who dreams on having a career in movie business, manages to get a job on the set as third assistant director.

In 1939, boy-wonder Orson Welles leaves New York, where he has succeeded in radio and theater, and, hired by RKO Pictures, moves to Hollywood with the purpose of making his first film.

The residents of Malegaon look to Bollywood cinema for a much-needed escape from daily drudgery. Amateur filmmaker Nasir Shaikh gets inspired to make a film for the people of Malegaon, by the people of Malegaon. He bands together his ragtag group of friends to bring his vision to life, thereby bringing a fresh lease of life into the town.

A group of college students, led by Claudia, decide to investigate a local tower that has figured prominently in disturbing reoccurring dreams Claudia has been having. They are suspended from school for their antics, but Claudia learns from one of the female staff members that the person in the dream is a student who killed herself years before and that the headmistress has seen her ghost.

On a dark, wet night in Taipei City, a cavernous old picture palace is about to close its doors forever. A meager audience, the remaining few staff, and perhaps even a ghost or two, watch King Hu’s wuxia classic "Dragon Inn", each haunted by memories and desires evoked by cinema itself.