Cheque AA

Love story in which the girl's parents disapprove of her boyfriend because he was accused of killing his former wife.

Linda gives birth to an illegitimate child from a relationship with her boyfriend, Alex, who dies in an accident. To avoid a scandal, her father asks his younger sibling to take the baby to Cirebon. Linda is then told that the baby is dead. The baby, Yatim, is treated badly by the caregiver. The caregiver steals the money sent by Linda’s father to support the baby, so Linda’s father gets angry when more money is demanded. Linda overhears the conversation and is told the truth. So Linda goes to Cirebon to pick up her child but Yatim has already run away to Jakarta to look for her. He is aimless and homeless, and becomes a shoe polisher. A children’s toy seller hears a radio broadcast looking for the missing child and advises Yatim to go meet his parent. Yatim refuses, and instead gets hit by a car. Finally, they are reunited at the hospital.

Suci’s performance is exaggerated when she is with Oom Kapten, Mr. Dawud and Mr. Condro. The three men are her clients and she is mistress to them. But Suci, the prima donna of the people’s theatre (a srimulat troupe, a traditional theatre style from East Java), who performs in a squalid village area, has her own dreams.

Office clerk Mamad breaks his ethics and steals a pack of paper from his office while preparing for his seventh child’s birth. Haunted by guilt, an opportunity to confess seems to always elude him.

Oni is an orphan who is born blind. She is adopted by a cart puller. Despite of his blindness, Oni can cure diseases. So when her adopting parent dies, someone else takes care of her. But ever since her village is pillaged Oni lives on as a wanderer.

A man is murdered, his wife is kidnapped and their young son is thrown into a ravine. The child grows up with a deformity and is known around the village as Si Bongkok ("The Hunchback"). After receiving martial arts training, he seeks revenge on the man who killed his father.

Rano (Rano Karno) was separated and lost his father at Jatinegara Station in Jakarta when he got off the train. Luckily, he met a kind-hearted fryer. Amin (Benyamin S), who then took him home.

A psycho starts killing women (including a striptease dancer) and raping their corpses. When that doesn't work out for him, he digs up graves and has his way with the bodies. Police attempt to trap the corpse rapist by baiting him with a beautiful policewoman.

After being pregnant for the third time, Shinta has to undergo another operation. After this, Shinta becomes frigid. Norman, her husband, then finds himself a girlfriend, Yulia, a colleague. Shinta divorces him and she leaves with her two children to brave Jakarta’s city life. Norman then comes to his senses and tries to look for his wife and children. He manages to find her in a very poor and weak condition before she dies.

Shot in dark colours and with an atmospheric treatment, the narrative is sketchy but the plot revolves around Koswara, a driver for Kardiman. Koswara’s brothers and sisters-in-law trade his wife, Aisah, to Kardiman, until his wife goes insane and dies. Agus Herman, son of Kardiman, is as brutal as his father and Mrs. Kardiman, also has an impure background. Her daughter, Nana, who is born without knowledge of her biological father, is almost raped by her stepfather, Kardiman. It is also suggested that Mrs. Kardiman desires Koswara. An experiment from Indonesian directing legend, Teguh Karya, that was not entirely successful.

Set on 24 March 1946 in Bandung, when the city was engulfed in explosions as if it was a sea of fire, the battle scenes between Indonesian and Dutch dominate the film. The main plot line is the conflict of Nani, a Red Cross nurse, who loves Priyatna, an ex PETA fighter. Meanwhile, Hidayat, the commander of Priyatna’s troop, also likes Nani. It is a small story, within a war, that ends with the death of Hidayat.

In a university campus, most of the rich kids are driving sedans, except for the lovely Narti, who rides a rickshaw. Iwan, a friendly and sympathetic guy, rides his motorcycle, and they soon develop an intimate and playful relationship. There are also others such as the shy Hendro, and the disheveled and free-spirited Tari. The drama concerns some conflict between Iwan and his father, and also Narti’s parents’ attitude toward Iwan. The film highlights the young social life on campus and the appeal is in the fresh dialogue, which is sometimes critical.

Mysterious blind man Mata Malikat arrives in a small village and disrupts the peace, starting with killing one of the village's most respected fighters. The fighter's son then tries to avenge his death.

A love triangle develops between two brothers: Dimas, a painter and Anton, a scholar, when they fall in love with Amalia. Anton dates Amalia before Dimas, because they are friends from college. But then Amalia likes Dimas better, feeling that she has a better connection with him. Anton is angry and Dimas and Amalia are judged before their entire family. The feud between the two brothers continues, until one of their house staff, Mr. Leman, tells Dimas that he was adopted. Dimas runs away from the family and he joins a ship crew. Since Dimas is gone and Amalia is pregnant, Anton marries Amalia. Two years later, Amalia is going to meet Dimas in the harbour. In a meeting between Anton and Dimas, who is currently dating a singer named Nana, Anton explains everything. Dimas rushes to meet Amalia and his child but before they can meet, a heavy load falls onto Dimas, and it kills him instantly.

Amidst the election rivalry of two villages for the village head post, Cigugur and Cijulang, a troupe of Ronggeng artists, with its prima donna, Sari, arrives at the sub-district center for their regular performance. Sari and Dadang, the son of the Village Elder of Cijulang, are in love with each other. Dadang is also running as a candidate in the village head elections. But Ohim, the son of the Cigugur Village Elder, is also madly in love with Sari. He gets even more daring after a humiliating incident when he tries to touch Sari’s hair bun on the ronggeng stage. The touching of the hair bun is one of the rituals in the traditional art of Ronggeng. Dadang’s father is angered by his son’s relationship with Sari, since it could jeopardize his candidacy as the head of the village.