The Cave

A short glitch video.

Mexican Erotica is a collective reappropriation film that explores sex and eroticism from various artistic and aesthetic points of view. A journey of textures, sensations and unmissable pleasures.

Shot with 16mm Bolex cameras, our Teponaztli implies a moving anarchy, crowned anarchy of color, light, forms, rhythms, cadences, chains, superimpositions: silhouettes, contours, textures, intermittences, flashes, sparkles, opacities, darkness, dances, volumes, entrails, pulps, fluids, surfaces, faces and syncope, all of it to dizzying velocities. Here multiple entities, objects, pulses, forms, colors and figures all co-habit and co-exist according to an altered rhythm and order, the percussive rhythm of an audiovisual and cinetic teponaztli. Our Teponaztli implies a singular perceptive transformation.

Part of paraconsistent sequence series and the hauntology series. “A paraconsistent logic allows inconsistency without absurdity.” The works in this subcollection contain contradictions of time and place, reorganizations of past, present and future.

A pre-hispanic book that was kidnapped and rediscovered in the city of Dresden, Germany. It contains a presage of a destruction to come.

In the center of the rising Temple, the history, myth, ancestral and infrareal combine their rhythms into the cycle life of ritual cinema. Trance and shamanic visions arise into the ancient Teocalli.

The magic life of the objects reanimate the ancestrality of the aesthetic of dream.

Short glitch video from Los ingrávidos.

Par of the Shamanic Materialism & Aesthetic Of Trance. Works that explore Mesoamerican rituals and beliefs in relationship to the natural world.

Short glitch video from Los ingrávidos.

Part of the Hauntology Film Archives series.

These are the western lands of the mind. The western tracks in the land. The western landscapes of our time. The wasted times of our lives. So is the rest of the Capitalocene civilization.

Short video from Los ingrávidos.

This is the state of bodies, this is the intermittence of bodies, this is the fragile reminiscence of bodies. The flashing fragility of images. The intermittent projection of the nuclear catastrophe to come. This is something on the way.

Filmed in Kodachrome from 1959 exposed during the Mexican demonstrations organized during the International Women’s Day in March 8th, 2017 in Mexico. Corroded emulsion film, affected by a voice-event that recounts the ominous events that occurred at the beginning of May 2006 in San Salvador Atenco, when the government repression obscured the resistance voices of the people.

The pyramid used to be a mountain