Women Against the Bomb

"Il suffit d'écouter les femmes": these famous words were pronounced by Simone Veil when she defended her law on abortion, in 1974, before the National Assembly. For the first time, women who have used a clandestine abortion in France before 1975 evoke their painful, release or traumatic experience. These moving testimonies make it possible to discover the incredible diversity of the means employed, the dangers incurred, the participation of children, the role of men, that of doctors, sometimes even the violence committed on women.

In 1978, a young unknown singer with a flute-like voice captivated the world with Wuthering Heights, a song inspired by Emily Brontë's novel of the same name. Discovered by David Gilmour, guitarist with Pink Floyd, Kate Bush, aged 19, succeeded in imposing her choices on her record company: for the first time, a song composed by a woman reached the top of the UK charts.

An avant-garde artist, the star with theatrical performances, inspired choreography, and a sublime soprano voice is often cited as a major influence by a new generation of artists. How has she, known as the "sorceress of sound," managed to transcend eras and trends, remaining as modern and fascinating as ever?