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Looking For a Thrill: An Anthology of Inspiration is a collection of personal stories about defining moments of musical inspiration (a record, a show, a musician, etc.) for 112 musicians who themselves have inspired so many. The interviews on the DVD include recollections by Mike Watt, Thurston Moore, Hamid Drake, Bjork, Yo La Tengo, Tortoise, the Butchies, Jon Spencer, Vic Chesnutt, Kurt Wagner, Fred Anderson and Giant Sand - as well as members of the Urinals, Califone, Jesus Lizard, the Boredoms, Mekons, Slint, the Sea and Cake, and Calexico (to name just a few).

Having toured extensively in the U.S.and Europe with live, improvised soundtrack accompaniment by the critically acclaimed Boxhead Ensemble, Dutch Harbor sits at the forefront of a movement that opened new doors for independent distribution and cinematic experience.

All of the album's songs were made into music videos by various filmmakers, such as the Quay Brothers, Garine Torossian, Grant Gee, and Guy Maddin.

Cole Freeman maintains an uneasy equilibrium in his rural Appalachian town, looking after the old and infirm while selling their excess painkillers to local addicts. But when an old friend returns with plans that upend the fragile balance and identity he's so painstakingly crafted, Cole is forced to take action.

In his latest film, Braden King ponders the Geneva Freeport, a warehouse complex in Switzerland that is said to house over 1 million works of art. A high-security tax haven for international dealers and collectors, the Freeport's exact contents remain a mystery to the general public. As people crossing borders are more to more and greater scrutiny, NATIONAL DISINTEGRATIONS examines what it means to have untold amounts of wealth and property flow freely through this extralegal space.

A distilled, up-to-the-minute portrait of our agitated nation, its politics, its economics, its delusions and its dreams. Laurie Anderson's tone is less outraged than elegiac, mourning for lives lost, ideals misplaced. The music is dramatically stripped down to a handful of players, centered around Anderson's haunting violin and voice, frequent Bill Frisell band-mate Eyvind Kang's viola and Peter Scherer's keyboards.