The Woman Hunt

Within the decadent walls of the Frankenstein mansion, the Baron and his depraved assistant Otto have discovered the means of creating new life. As the Baron's laboratory begins to fill up with stitched body parts, the Baroness dallies with the randy new manservant and soon the decadent, permissive household is consumed by an outrageous, bizarre and hilarious combination of death and dismemberment.

Laurie and Hugh are a successful young couple who have just closed on a weekend home away from the city. Unbeknownst to them, the neighboring property contains the crumbling remains of a boarding school that was shuttered in the wake of an unspeakable massacre. The sole survivor of that massacre still resides in the ruins of the school, hiding from the world and wanting only to be left alone. When Laurie and Hugh's friends explore the property, they have no idea that they disturbed an emotionally-broken killing machine: The Blood Widow.

A girl arrives from London to visit her estranged relatives in a remote castle for the reading of her father's will. After a while she discovers that they are all in fact dead and her decision to live with them turns into a nightmare. Unable to leave she's drawn into a macabre underworld through visions of nude satanic rituals and her own impending sacrifice.

Siberia 1953: Ilsa is now working in a Gulag prison camp. Her mission is to "retrain the minds" of those who don't agree with the communists.

The untameable photo reporter Emanuelle travels the world documenting the sexual practices of the rich and powerful, getting dangerously close to their most disturbing and hidden schemes.

Emanuelle is framed by a corrupt D.A. while investigating a drug smuggling operation and has to tough it out under lock and key, dealing with a strict warden and abusive guards.

Ilsa, a warden at a Nazi death camp that conducts experiments on prisoners, strives to prove that women can withstand more pain and suffering than men, and therefore should be allowed to fight on the frontlines.

Sister Emanuelle and Sister Nanà go to meet Mr. Cazzabriga, who has a problem: his wild-child daughter, Monica, who he wants to send to a Catholic school to remove her from temptations around the house.