Captive

A woman seeking excitement meets a man who brings light and meaning to her world.

Two elderly women bear the consequences of a crime involving their respective grandsons. One is the victim, the other is the suspect. Both weak and poor, they laboriously solicit money in the midst of a storm, one for the victim's burial, the other for the suspect's bail bond.

Sisters Ninay and Tonette find their once unbreakable bond tested when they fall for the same man. What begins as sibling rivalry soon spirals into a dangerous game of passion, jealousy, and desire.

One evening, Martin, a broadcasting student, is invited for coffee by Lawrence, the TV reporter he idolizes. During the days that follow, Martin shares with his friends separately three versions of what transpired during his meeting with Lawrence: what happened, what really happened, and what might have actually happened. Through conversations with friends, Martin comes to terms with the idea that his idol – a dignified newsman who is supposed to be a paragon of virtue – is not who he appears to be on television.

A young man tries to make some money so he can marry his girlfriend. He takes a job for $2,000 and then soon realizes that this job involves killing a woman.

A struggling family owns a Filipino porn theater where prostitutes conduct their business.

Iliac works in a massage parlor where the gay clients are given more than a shoulder kneading and back rub. When Iliac's father dies he must reconcile his job as a sex worker with the rest of his family.

Nao Tsuyama, a disabled athlete, refuses to let his articifical leg hinder his dream to become a professional boxer. His remarkable journey takes him from Japan to the Philippines, and specifically the celebrated ‘Gensan’ quarter which has spawned worldwide stars such as the legendary Manny Pacquiao.

A tribute to the real potential of digital cinema, Slingshot is a slum epic on steroids. It weaves stories left and right into a shocking tableau about life for the lowest of the low in the Philippines poorest and most crime-ridden districts. National elections are coming up so in the usual attempt to appear “tough-on-crime”, The Big Boys have been sent into crack down on the the local squatters, thieves and miscreants who litter the film like broken bottle. And since no sweep is ever a clean sweep, the cops brutal shock-force tactics quickly ripple outwards with jagged repurcussions.

Set against the backdrop of the Philippines Government’s crackdown on illegal drugs, a SWAT-led police force launches an operation to arrest Abel, one of the biggest druglords in Manilla. Police Officer Espino and Elijah, a small-time pusher turned informant, provide the intelligence for the operation which quickly escalates into a violent and heavely-armed confrontation in the slums between the SWAT and Abel’s gang. Before the investigators arrive at the crime scene, Espino and Elijah walk off with Abel’s backpack full of money and methamphetamine.

When a dare pushes two couples into an orgy, suppressed feelings rekindle between the two ladies, who were once best friends and lovers.

A photographer is tasked to take a photo of a rare flower thriving in the mountain, but he discovers women trapped in a hidden brothel for illegal loggers.

Made for the Venice Film Festival's 70th anniversary, seventy filmmakers made a short film between 60 and 90 seconds long on their interpretation of the future of cinema.

A marine biologist tasked to rehabilitate a fish sanctuary, falls for Dennis, his diving assistant. The situation takes an unexpected turn when Jason's wife, Abby, finds out of the clandestine relationship between Jason and Dennis.

Despite the Philippine government's crackdown on narcotics, high schooler Joseph expands his drug running while his cop uncle profits from corruption.

An anthology of one-minute films created by 51 international filmmakers on the theme of the death of cinema. Intended as an ode to 35mm, the film was screened one time only on a purpose-built 20x12 meter public cinema screen in the Port of Tallinn, Estonia, on 22 December 2011. A special projector was constructed for the event which allowed the actual filmstrip to be burnt at the same time as the film was shown.