White Planet, our South Pole

Children learn what they see and feel what their elders teach them to feel. If they live surrounded by hate and thirst for revenge, they will learn to hate and take revenge. The documentary collects the stories of these children told by themselves; of the children who live today in the war and of those who, already old, reflect on the childhood they lived in another distant war.

The memory of Piero Portaluppi, a Milanese architect who reached the peak of his fame during the 20 years of the Fascist regime, comes back to life, both through the rediscovery of his work today and in a previously unpublished film diary in 16 mm, shot and edited throughout his lifetime. A man of great charm and power, Portaluppi lived through a grandiose but tragic era with ironic detachment, as if dancing across things as he created beauty. History marches on implacably, radically transforming the arena in which the eclectic artist and his large family lived and worked.

Documentary film about visual effects master Emilio Ruiz del Rio. From his early works on films at 1942, to his last contribution at 2007, Emilio Ruiz talks on his film experiences and traditional trickery, using foreground miniatures, glass shots, and painted cut out miniatures. It shows interviews with some of the professionals he has worked with, like, Rafaela de Laurentiis, Ray Harryhausen, Guillermo del Toro, or Enzo Castellari

Documentary about the so-called "hope camp", which narrates the long protest carried out by the Sintel workers camped in the middle of Castellana Street in Madrid in defence of their labour rights. The documentary follows the evolution of the events during 4 months, from April to August 2001, reflecting the life of these people during their encampment and the negotiations between the government and the trade unions.

Five documentary shorts about various children from the third world.

200 km follows the marches carried out by Sintel workers to reach Madrid on May 1, 2002. Sintel was a subsidiary of Telefónica that, when it was privatized, was closed, leaving its 1,800 workers on the streets. One year after setting up the "Camp of Hope" with which they occupied Madrid's Avenida de la Castellana for months, and with the promises they were made unfulfilled, Sintel workers began a 10-day, 200-km march to Madrid to claim your job. Premiered on San Sebastian Film Festival 2003.

Envy and conspiracy, but also passionate loves, jealousy, revenge and final forgiveness come together in the masterpiece of Verdi, which aroused the anger and prohibitions of censors of the time until the composer and librettist was compelled to make changes in it: from the original Sweden to far away Boston. The great Polish tenor Piotr Beczala returns to the Liceu with one of his opening credits, accompanied by the soprano Keri Alkema. Vincent Boussard’s sets reinforce the dark and mysterious atmosphere surrounding the piece, which features costumes by Christian Lacroix and Vincent Lemaire’s sober staging, which allows one to focus their attention on the dramatic core of the score. The cast, directed by a true specialist like Renato Palumbo, also presents a leader in Verdian song: Dolora Zajick.

Bellini - i Capuleti e i Montecchi at the Gran Teatre del Liceu, Barcelona

Flamenco Hoy is the first live play directed by the great Spanish filmmaker Carlos Saura. For this staging it has more than 20 artists of the new generation, all of them possessing a great talent and very recognized in their field, exhibiting a lively, brilliant show, full of strength and energy. The dance, composed of 8 excellent dancers is presented with its varied samples of the traditions acquired over the years and its use of new trends such as jazz and contemporary. The cante is represented by 2 portentous cantaores who interpret the compositions and arrangements of Chano Domínguez, internationally recognized Spanish pianist and several times nominated for the Grammy. 4 musicians of great level complete the music scene.