The Delta of Bucharest

In cities like Paris there are countless people from Eastern Europe who have forsaken their homelands because they can see no future there. Lucia and her little daughter Marussia are two such people. They have been thrown out by the Russian acquaintances they were staying with and must tramp the streets with their trolley suitcases searching for somewhere else to live. A Russian Orthodox priest offers them their first night's shelter. They spend the second night in a homeless hostel and party through the third with a chance acquaintance. On the fourth night they sleep clandestinely in a cinema and on the fifth with a Russian artist in a hotel … Lucia is good-looking, dresses elegantly and is certainly not shy of men. This serves the mother and her daughter well. In spite of all the uncertainties in their lives, the two frequently share tender moments.

An 8 years-old boy finds a dead man's body at a top of a mountain. As he knocks on the doors of the village, trying to solve the mystery, a portrait of a village is revealed - a place in transition between the traditions of the past and the violence of contemporary reality.

Would you rather have water or milk? See the world in blue or pink? Keep the film going or finish it? Individuals accept the game proposed by the director and make their choices in front of the camera. With this film, Laura Marques questions her role as filmmaker. Perhaps cinema is just a children’s game?

In 1983, somewhere in the suburbs of Paris Daniel Spoerri buried the remains of a feast attended by 80 people. The journey of the film begins in 2016, with their rediscovery by archaeologists. The film then follows the artist's memories to the places where he spent his childhood. It was a feast akin to an attempt to defeat death.

Part of Romanian Short Waves 2013 (1)