A Third Testament

Paris, in the early 1990s: a group of young activists is desperately tied to finding the cure against an unknown lethal disease. They target the pharmaceutical labs that are retaining potential cures, and multiply direct actions, with the hope of saving their lives as well as the ones of future generations.

Karen, a 50-year-old transvestite, is currently training with an American cowboy for her transformation into a horse. In this form of role-play, known as "pony-play," Karen dresses up as a "horse-being". Between the almost magical training sessions, Karen reflects on the meaning and value of pony play in her life. A poetic reflection on humanity, gender, life, love and nature

Writer, journalist, explorer, filmmaker, communist militant, freedom fighter. Truths and lies. A plot twist. Politician. General De Gaulle's shadow. Overwhelmed by the weight of power. The numerous exploits of André Malraux (1901-1976).

French current affair show

Under the name PasSage, Ugo and his friends organize underground parties in unusual locations around Paris. The parties are, as one of them puts it, “The last place of expression for us. Truly free.” Their playful search for adventure takes them to forbidden places, the only spots left to explore in a city where every centimeter is in use. It might be a location in Versailles, an abandoned train next to a monument, a deserted military fort, or perhaps a cave. The decision is made only after an expedition with a backpack and a flashlight to explore the site and its approach routes thoroughly. Partygoers learn of the location just before the party starts, and there are strict rules for them to follow.

Can a young love, settled on important cultural differences, last over time ? This instinctive documentary filmed by the director and his love, carries us through a coarse romanticism, open to all in an absolute beauty.

Jérôme was sexually abused as a child by a priest. In a deeply personal film, he tries to search for clues in his memories and come to terms with the complicity of his former social environment.

'As it gets harder to sell pictures, we take greater and greater risks,' explains Corentin Fohlen. A war correspondent still in his twenties, Fohlen is part of a new generation of freelance journalists who fly to war zones from Libya to Afghanistan on their own dime in the hope of selling images to news media outlets.