Hjem går vi ikke

This Norwegian propaganda film for Nazism draws on references to both the Viking Age and rural idylls. The film was commissioned by Nasjonal Samling and encourages people to join the ranks of Vidkun Quisling's party, which ruled Norway according to Nazi ideology during World War II.

In the difficult 30'ies, the poor working family Jensen is struggling in affording their sons education, and it ends in tragedy. The son befriends the daughter of the, not liked by the rich employer West, which sends his daughter away.

A reindeer company is being robbed for reindeer. The police hasn't got a clue, and a new investigator is sent. The thieves want to get rid of him, but things don't go as planned.

Karl Kraft uncovers a major weapon smuggling scheme going on in Oslo. Along the way he meets the waitress Lilly, who is involved in the affair.

This the story of a wizard elk - Rauten, as people called him. He was a human being in animal guise. The story begins in Ré Valley, which lies like a yawning gap between mountains, long and flat with borders of forests so dark that they look as though part of the blackness of night lingered in them. A river moves sluggishly along the bottom of the valley, making its way slowly and carefully between stretches of light-red sand. It runs northwards, a rare thing in Norway.

In the mid-1950s, Oslo imported 27,000 tons of coal annually, which was converted into coke, gas, and tar. This production took place at the Oslo Gasworks at Ankertorget. The gas was used both in private households and by industry. ***** Oslofilm was a series of public information films about life in and around Oslo, produced between 1940 and 1980. Funded by the state, the films offer valuable insight into postwar Norwegian society. A wide range of Norwegian filmmakers contributed to the productions, resulting in a rich variety of styles and expressions. Several of the films also possess notable cinematic qualities, standing out as more than just informational material. The Oslofilms represent a unique and important chapter in Norwegian film history.