SORA

Set in a provincial city that has been quarantined to prevent the spread of infection after a zombie outbreak, this human drama depicts the new daily life of a high school girl who remains in the quarantine area to take care of her family who have become zombies. (machine translation)

Meet L'ILYA, a young video artist who documents peoples' suicides and projects their final moments out of context in trendy clubs. Due to the film being a "moyen metrage" (or "medium-length feature," meaning, as the name implies, a film whose running time is too long to be classified as a short yet too short to be presented as a feature), L'ILYA has had enormous difficulty getting seen, even on the festival circuit. It has nonetheless left scars wherever shown. This film will haunt your memory long after the obituaries fade.

A soldier, swaddled in body armor, guards the border of his country. This is not an area of tension; nothing warlike happens here; all that comes from across the border over in the enemy land are radio waves carrying the speeches of its leader, Marehito played by Hideyo Amamoto (Yojimbo, Kamen Rider). The soldier's only duty is to monitor these speeches, and he is sick to the teeth of the dictator's raving. In his quarters is a female android, a 'comfort woman' issued him by the government. He lives quietly with his green-eyed ILYA Type 6, and is responsible for his desert border area. That is the whole of this soldier's life. One day a military official pays a call on his quarters. There has been a shuffle of personnel in the high echelons, and a slight change in policy has been made. The ILYA Type 6 is to be upgraded.

A man, living in a humble apartment with his young wife, accidentally pushes her and kills her. The guy is panic-stricken, and first he tries to hide the body, putting it in the trunk of his car, then he realizes she's "some way" alive (a "living dead" form of life), and she even helps him to kill a cop... or is it just his sick imagination?

Hand-picked by Fantasia’s Mitch Davis, SMALL GAUGE TRAUMA is an extraordinary collection of 13 award-winning shorts from 8 countries. It represents some of the strongest and most eccentric highlights from the festival’s trailblazing history with the form and is a veritable must-have for lovers of the unusual, aficionados of the fantastic and anyone with an interest in world cinema.

Hana, Tsuki and Yume are identical triplet sisters. Living apart from each other, they are brought back together when Yume falls into a coma. Tsuki gives up all to stay by her sister’s hospital bed. Hana arrives for the expressed purpose of working out what to do with Yume, who no longer has any chance of recovery. Instead, the three have a most unusual conversation.