Sweets to the Sweet

After a ten year long stay in West Germany, Max returns to the Soviet Union to visit his deadly ill father in Leningrad. There he finds a friend in a man who calls himself Igor and he begins a love-affair with the deafmute Lena. Around Max' relationship to his father, Igor and Lena, losely held episodes give a many fasetted portrait of Leningrad and its inhabitants. In the eyes of the returning Max, the city is at once well-known and foreign. Lyrically saturated images and sophisticated editing contributes to making the film an expressive description of a changing city.

1942. Young men, graduates of a reconnaissance school, develop and carry out extremely complex operations behind enemy lines.

Petersburg. A Selfie comprises seven novellas about the beautiful city of St. Petersburg, Russia, shot by female directors. The film tells a story of a real, living and breathing city, rather than a mythical phantasm. Each novella tells its own story about love and loneliness, luck and hope.

Sergei and Simon have to deliver a suitcase full of heroin to Mikhalych or else they will be killed. There is one minor detail: the only problem-solving technique they are familiar with is a shot in the head.

Strana Glukhikh is about an unusual relationship between two women, one of them a deaf-mute dancer and the other on the run from the mafia. Yaya, the deaf girl, offers to hide Rita whose boyfriend, Alyosha owes gambling debts to the mafia, but in return she wants her to leave the young man and run off with her to an imaginary paradise where material values do not exist.

A young piano tuner befriends two rich old-ladies, and plots, with the help of his girlfriend, to betray their trust and steal from them.

Vocal Parallels is a surreal, impressionistic concert of classical opera pieces performed by several retired Soviet opera divas: Roza Dzhamanova, Araksiia Davtian, Bibigul’ Tulegenova, and the late Erik Salim-Meriuert (Kurmangaliev), a fantastic countertenor.

Set in the ground zero of gangster globalism and driven by a truly manic energy, Generation P is at once a comedy, a tragedy and a fantasy about the rise of a poet-turned-adman through Russia’s nascent advertising business during the Moscow roaring 1990s.

A man goes to see his former schoolmate working at a boiler house and persuades him to burn in the furnace the corpse of his communal flat neighbor whom he has just murdered after a quarrel. An orphaned girl gets a job in the archives of the maternity home to find out the identity of her mother who abandoned her years earlier. She finds her, befriends her and takes the first opportunity to throw her into the sea. An old intellectual tries to explain to the neighbor’s five-year-old daughter “all the abomination of her lumpen existence”. The girl feeling hurt for her mother decides to poison the old man with arsenic.

The black room. Enclosed space. The action unfolds as if slowly. You understand that every word, every gesture of the heroes have a special, secret, as yet absolutely incomprehensible meaning. But you feel: you can't miss a single nuance. There are two or three heroes in each novel. There is a real drama between them, which ends with an explosion. Sometimes figuratively, and sometimes literally. Time is continuous: there is no yesterday and tomorrow.

A journalist finds himself in a dire criminal situation. Some would resort to violence, but he picks up a pen and masterfully extricates himself from the predicament, turning the entire city upside down in the process.

Far East. 70th years. A small garrison on the border with China. Here, as everywhere, there are men and women. Everyone has his own story, his own destiny, his own love. The common thing is that they all came here once on duty and stayed for a long time. Marina Goloshchekina is nice, kind, right. Galya The tourniquet is intelligent, passionate, determined. Albina Raven - extravagant, unpredictable, thin. Three friends, three sisters in happiness and misfortune, officers' wives. They help each other stand in this completely feminine world, where every man has a gun! And this means that love and danger go hand in hand. Marina quite unexpectedly meets her true love of the young officer Ivan Stolbov. Learn about this new secret love girlfriend. On the one hand, you can rejoice over Marina. But how can she rejoice herself, if behind five years of marriage with a strong, strong-willed and very unpredictable Nikita Goloshchekin?

What is love? The heroes of the film try to answer this question. A series of the most different characters and their stories are woven together. Small stories about various things, all about love: a young pair who prefer to live through images of Japanese anime-heroes; a secretary who receives an obscene offer from her boss; a Japanese woman who arrives in Moscow in search of a Russian man; a graffiti artist in search of beauty; an ex-wife employed by her husband for an unusual task; and many other things...

A talk show

Far East. 70th years. A small garrison on the border with China. Here, as everywhere, there are men and women. Everyone has his own story, his own destiny, his own love. The common thing is that they all came here once on duty and stayed for a long time. Marina Goloshchekina is nice, kind, right. Galya The tourniquet is intelligent, passionate, determined. Albina Raven - extravagant, unpredictable, thin. Three friends, three sisters in happiness and misfortune, officers' wives. They help each other stand in this completely feminine world, where every man has a gun! And this means that love and danger go hand in hand. Marina quite unexpectedly meets her true love of the young officer Ivan Stolbov. Learn about this new secret love girlfriend. On the one hand, you can rejoice over Marina. But how can she rejoice herself, if behind five years of marriage with a strong, strong-willed and very unpredictable Nikita Goloshchekin?