Priyotama

After her husband passes away at a regressive Shyambazar household, progressive Bandana falls in love with her son's painting mentor, Sudipto Sorcar. However, due to Titli Chatterjee's mother's objection, Bandana gives up on her love and starts living at the orphanage.

Samir Mitra is an unemployed educated guy who is looking for a job. His father Abir Mitra is a retired person. Samir's mother is suffering from cancer. One day Samir suddenly meets Manik Chandra Sadhukhan. Manik's father is Niranjan Sadhukan, he is also ill. Latika is Manik's younger sister. Manik has come to Kolkata to meet his father's friend Chandrakanta Majumadar who is an established businessman. Manik meets with an accident on the way. Samir tries to save his life. Before his death Manik requests Samir to take care of his father and younger sister; he also tells Samir not to disclose the news of his accident. Manik gives Samir all required information. Samir becomes Manik; he meets Chandrakanta as Manik. Chandrakanta appoints him in his own office.

Two estranged brothers reunite after a long period of time when the elder sibling prepares to get married. The younger brother begins to look for love during the proceedings.

Manisha is the only child of wealthy widower Barrister Vikas Anand. Manisha meets fellow collegian, Ajay, and after a few misunderstandings both fall in love with each other. Manisha introduces Ajay to her dad, who approves of him, but Ajay tells him that he cannot marry Manisha until he is well settled and able to afford all the comforts of life, he needs 3 years to accumulate enough wealth and then marry Manisha. Vikas is impressed by this and agrees to wait, subsequently Manisha also agrees. Ajay keeps Manisha posted about his success story. However, after the period of 3 years, Ajay disappears from Manisha's life. Her friend informs Manisha that she knows that Ajay has married another woman, and shows her photographs of Ajay and the woman. Watch as events unfold to show why Ajay chose to marry another woman, and what steps will Manisha and her dad take to hold Ajay accountable for his promise.

A singer falls in love with a village beauty and soon they get married. However, their marital bliss is dampened due to an unfortunate event that separates them.

Gauri, an average girl from a village, falls in love with a wealthy man from the city, Samir. The unusual couple go through a series of turmoil after Samir goes abroad to study law.

Anand is looking to arrest the woman who killed his father, unaware that she's his own mother

Tumi Eley Tai is a family movie about moral values in society. A strong-willed Akash shares a special bond with his grandfather. When a dejected Arundhati faces failure in her relationships, Akash and his family come forward to support her. Why has fate brought Arundhati to Akash and his family?

Atindranath Bannerjee, a retired teacher, faces harassment from his family members and decides to discipline them. Later, he shifts to a slum and starts teaching underprivileged children.

NRI Jayanta Dutta makes his return home to Calcutta, only to soon discover that he must fight tooth and nail in order to save his ancestral estate from being seized by a ring of land sharks.

Based on the short story by Dibyendu Palit, four brothers in an Indian Bengali family conspire against each other over property.

A man gives shelter to a beautiful girl who has been a victim of rape and has also witnessed a murder. He gives her hope to live again and they fall in love with each other.

A man with a roving eye battles his midlife crisis.

Ek Mutho Chabi is a Bengali feature-film released in September 2005. As the name suggests, the movie does not tell one continuous story over 90 minutes; rather it's a compilation of six different stories combined together, all of around 20–25 minutes duration. All directed by different directors. The movie is a kind of experiment with short stories after success of telefilm industry.Argyakamal Mitra’s Janmodin, Partha Sen’s Pakshiraj, Indranil Roychowdhury’s Tapan Babu, Prabhat Roy’s Ragun Babur Galpo, Anjan Dutt’s Tarpor Bhalobasha and Kaushik Ganguly’s ProgressReport make up the package of six.

Bolai, a sensitive, quiet, motherless child raised by his aunt and uncle, sees plants and trees as living beings and intimate friends. His uncle considers a shimul tree an eyesore on the path and cuts it down, causing deep, quiet distress to Bolai.