Duke Ellington in Isfahan

After the 1979 Islamic revolution in Iran, a boy grew up obsessed with all the movies he couldn't see. He met a mysterious film collector who saved thousands of films from destruction by the new regime. Despite arrest and torture, the collector refused to give up his secret hoard. Together they forged a friendship based on passion for cinema and resistance against tyranny. The boy escaped to exile in London to become a filmmaker, and tells their shared story of obsession and celluloid dreams.

A found-footage essay, Filmfarsi salvages low budget thrillers and melodramas suppressed following the 1979 Islamic revolution.

Prominent filmmaker, artist and actress Mania Akbari reclaims her body—and that of all the other women in Iranian film. Using almost a hundred excerpts spanning Iran's film history, from the silent era to just after the Islamic Revolution—films that have all since been banned—she tells a story of liberation, exploitation, emancipation and ultimately oppression.