Double Shutter

Photos and film footage are edited, damaged, scratched, and painted. The original images are only vaguely recognizable, as if they are already part of our ‘tainted’ memory. The film was made in response to the death of Janis Joplin.

A man and a woman sit in front of a window and eat breakfast. Through the window, we see the countryside. During the day, they remain seated at the table. The settings, light, and depth of field change: slowly we learn the vocabulary of the medium. In the final shots, the camera is reflected in the windows, and we see lights being cleared away. The film itself, and not the man and woman at the table, has become the subject of the film.

A film about the beauty of impermanence and about everything that people throw away. A mix of recognizable images from reality and abstract images, which have been painted or made using colour filters.