Super Mario Bros.

The Max Headroom Show started life in the UK in 1985. The show featured actor Matt Frewer playing the role as computer-generated talk-show host Max Headroom.

Television networks battle one another in an unrelenting ratings war. Whoever controls the airwaves controls the dystopic world in which they broadcast. So when Network 23's star reporter, Edison Carter, uncovers a deadly secret that could shake up the station's dominion over its viewers, the only option is to eliminate Carter before he can make his story public. After Carter's "accident," his mind is uploaded to create the world's first self-aware, computer-generated TV host — Max Headroom! But will Max bow to his creators? Or will he be the key to his human alter ago bringing down a network superpower?

While trying to expose corruption and greed, television reporter Edison Carter discovers that his employer, Network 23, has created a new form of subliminal advertising (termed "blip-verts") that can be fatal to certain viewers.

Dexter Cornell, an English Professor becomes embroiled in a series of murders involving people around him. Dexter has good reason to want to find the murderer but hasn't much time. He finds help and comfort from one of his student, Sydney Fuller.

An abstract play of shape, colour and light. Cathy Dennis wears a variety of bright neon bodysuits. Other dancers are covered in paint in varying ways

In order to understand the works and ideas of Karl Marx, this animation takes an ordinary man through several different periods of history, from the cavemen to the philosophers of the world to better comprehend Marx ideals for the proletarian and why the world is an unfair contradiction of all sorts.

Some of the best bits from 'The Max Headroom Show'.

An aging detective comes out of retirement when the events around his grandson's suicide suggest foul play.

Through the Camera Eye is a videocassette/laserdisc release by the Canadian band Rush. It was released in 1985 by PolyGram Records. It contains promotional videos issued for the band's albums Moving Pictures (1981), Signals (1982) and Grace Under Pressure (1984).

Music video for an Elvis Costello song. A series of everyday mishaps—from a burnt piece of toast to a nuclear disaster—unfolds in a chain of animated images with a bold pop-art aesthetic.