Pierrot mon ami

Commandant Gardefort, horseman at the Cadre Noir Riding Academy in Saumur, having given up hope of promotion decides to retire. To fill his time until then, he buys a mare, Milady, and in two years trains her to the highest dressage haute ecole standards. But he finds himself in dire financial straits over his divorce, and is obliged to sell the mare. She is bought by a rich Belgian banker, who transforms Milady into a circus horse. Visiting him, Gardefort resolves the situation in the only way he sees fit.

A captured French Resistance fighter during World War II engineers a daunting escape from prison.

Bobosse is increasingly immersing himself into the world of theater and experiencing his role as an actor more intensively. He plays in a piece where a man is abandoned by his wife and processes this philosophically. When his wife actually abandons him, he becomes embarrassed and plans to kill her.

A policeman and a serial killer play cat and mouse in an isolated mountain village in Nineteenth century France. The second film directed by the man who played the admirable lead role in Robert Bresson's A Man Escaped is a stylized and intense adaptation of a novel by Jean Giono. This police investigation in a 19th century village combines visual beauty with the rigor of the mise-en-scène—the vertigo of the criminal motivations indivisible from the refined graphics of the images.

A self-assured businessman murders his employer, husband of his mistress, which unintentionally provokes an ill-fated chain of events.

Tran and three of his friends flee Vietnam by swimming across the Mekong river. They take refuge in Thailand.

Milan is an ex Formula One driver and now he lives with his wife Roberte in a small country town. But Milan is not satisfied, so Roberte encourages a love-story between Milan and Helene, a young woman. Milan can't decide and at last the tragedy comes. Then Milan returns to drive in Formula One.

Biarritz, 1933. Charm and talent assist small-time swindler Serge Alexandre, alias Stavisky, to bribe his way into the centre of French politics. But when his great scam involving millions is exposed, he brings the government to the verge of collapse and the country to the brink of civil war.

A series of humorous sketches on life: "A Night to Remember", "Summit Showdown", and "A Book? That's personal!"

Young dynamic executive, married and father of two children, Jérôme Ozendron dreams of writing and escaping a life he considers mediocre. The meeting with a former comrade, who had become an actor, brought him into contact with the world of cinema. He meets, Natacha, a cover girl, for whom he is ready to give up, wife and children. Then he becomes the lover of Lilianne, a marginal who persecutes and pursues him. He quit his job to devote himself to writing a novel. But nothing goes as he wants.

Whilst driving through rural France, Antoine Bonfils comes across a community of babas - men and women who have turned their back on the modern commercialist world and live, free of constraints, as close to nature as they can. After a tiff with his girlfriend, he decides to swap his comfortable but empty life in Paris for a new life with the babas. Adapting to the new life-style proves to be far from easy...

Barbara marries Julien a charming and sexy man. Barbara's old flame Paul is highly suspicious of Julien. It seems Julien's previous two wives died under dubious circumstances and he collected a wad of insurance money as a result. Paul cannot ignore his misgivings, and so he follows Barbara and Julien to Morocco on their honeymoon, intent on preventing any harm to the woman he still loves.

Complications abound in this French film, which tells the story of a filmmaker who is attempting to put his real life into a movie; his interactions with the people in the movie he is filming create reverberations in his "real" life, although the past remains unchanged. Among the complications is his growing regard for the woman who plays his cinematic wife. She may wind up replacing his actual wife in real life. One of the highlights of this film is the insight it gives into the actual mechanics of filmmaking.

Emmanuelle and her architect husband continue their amoral lifestyle in the Seychelles. But when a casual dilliance between her and a film director starts to turn serious her husband shows very traditional signs of jealousy.