Along the Road

A gifted artisan's journey of love and self-discovery unfolds as she defies tradition within Indonesia's clove cigarette industry in the 1960s.

When Diana’s husband returns home one night with big news—he has taken on a second wife, and expects Diana to live in harmony with the situation—she does what is least expected and plans to make a life on her terms.

Raia, a famous writer struggling with writer's block, travels to New York to get inspired. There, she meets River and becomes entangled in a love story haunted by the past.

Tantra and Tantri are inseparable. When they secretly steal eggs from the family’s sacrificial offering, Tantri always gets the whites and Tantra the yolks. One day, however, the yolk is missing, as is Tantra. Her brother gravely ill and in hospital, Tantri starts slipping into magical parallel worlds, approaching the inevitable farewell through costumes, body paint and dance. When at one point Tantri’s mother washes the paint from her face, it is as if tenderly to expel the illusion that things can remain as they are. In long dream sequences and against the background of the Balinese philosophy of sekala – the seen – and niskala – the unseen – Andini relates how one ten-year-old girl deals with parting and grief.

In her last year of secondary school, a bright Indonesian student is determined to pursue her education and resist getting married, despite the expectations of her community.

Set against Indonesia’s turbulent post-independence years in the 1960s, the story revolves around the domestic life of a woman whose personal life has been completely overturned by the political turmoil.

A cheerful yet serious Indonesian Romeo and Juliet. A boy and a girl from the same district, but with difficult childhoods and other reasons not to acknowledge their love. Through the colourful and musical retro style - the 1970s came late to Indonesia - shines a chaotic political and social era.

Birth and death occur when the devil's horns rise. The terror of waiting for the birth of a child from a pre-pregnant marriage and the 14 day wait for death due to an implant that had not been removed.

Pertiwi returns to her hometown after spending two decades in prison to rebuild her life. There, she finds power in things that have been abandoned: discarded electronic devices that mysteriously light up and a community of outcasts living on the fringes of society. But coming home also means confronting the four men who sent her to prison and now rule the village. Together with the outcasts, Pertiwi begins to uncover the darkness that still haunts the place - and the past she thought she had left behind.

A dance film that explores the role of women in the domestic space.

Since his father died, Gimba did not want to get away from his mother, while his mother feels that her health is getting worsen. One day, Gimba was left in a hut by his mother. Gimba also realized that his mother was gone too long.

Manga creator Tsukasa Hojo's debut live-action film. 'Angel Sign' is Hojo's debut as a director, which is made by editing a number of short films into one movie. Hojo directs the "Prologue" and "Epilogue" stories, while a different director will handle each of the other stories, which were selected in Silent Manga Audition. All the stories will have no spoken lines, and will only have video and music.

Plot TBA.

Sekar is a blind woman who makes her mother's batik her whole world. Until Sekar met a silversmith who made batik motifs for her. The man brought batik to life in another way.

This film is based on the story of Francisca Casparina Fanggidaej, a journalist, activist, and member of the House of Representatives during the Soekarno era who lived in exile after 1965.