I Hate But Love

Mid 50s: the trials and tribulations of Shinsuke Ibuki, freshly arrived in Tokyo from Kyushu.

Hisa Ishii and his brother Akira emigrate from Japan to the United States. They settle in rural California and start a strawberry farm, slowly integrating themselves into the life of the community, which includes Japanese-Americans of both lengthy and brief residence.

One morning, Kazue is nearly knocked over by a motorbike in front of an instrument store, breaking all the records that she was carrying. The two connect instantly and begin seeing each other every day. However, Iwai, Yukio’s foster parent, is concerned - Yukio had been exposed to the atomic bomb when he was four years old and had been showing symptoms of atomic radiation, hospitalizing him in the Genbaku Atomic Bomb Survivor’s Hospital. Unfortunately, nobody knows when the symptoms may return. When Yukio passes out from anemia during work, he decides to part with Kazue. A couple of days later, Yukio tells her of his destiny at the Hiroshima Peace Memorial Park, but Kazue passionately encourages him.

Hiroshima is a 1995 Japanese / Canadian film directed by Koreyoshi Kurahara and Roger Spottiswoode about the decision-making processes that led to the dropping of the atomic bombs by the United States on the Japanese cities of Hiroshima and Nagasaki toward the end of World War II. Except as actors, no Americans took part in the production. The three-hour film was made for television and evidently had no theatrical release, but is available on DVD for home viewing. A combination of dramatisation, historical footage, and eyewitness interviews, the film alternates between documentary footage and the dramatic recreations. Both the dramatisations and most of the original footage are presented as sepia-toned images, serving to blur the distinction between them. The languages are English and Japanese, with subtitles, and the actors are largely Canadian and Japanese.

Directed by Koreyoshi Kurahara in 1971, Sunset Sunrise (Hi wa shizumi, hi wa noboru) is a “hippie” road movie chronicling the trek that a handful of people take in order to reach Katmandú, the capital of Nepal.

While in vacation in a sea side house, a young man fall in love with a beautiful woman who pretends to live by herself in the sea. The fishermen of a nearby village think she is a monster, the female of a shark killed many years before, responsible for many disappearances.

Sakuda is a Japanese expat working in Amsterdam. When his company gets exposed for exporting fire arms to Italy that are later repurposed for war in Africa, he finds himself involved in a major complot alongside Ryo, a woman from his native village whom he falls in love with.

Hiroshima is a 1995 Japanese / Canadian film directed by Koreyoshi Kurahara and Roger Spottiswoode about the decision-making processes that led to the dropping of the atomic bombs by the United States on the Japanese cities of Hiroshima and Nagasaki toward the end of World War II. A combination of dramatisation, historical footage, and eyewitness interviews, the film alternates between documentary footage and the dramatic recreations.

Director Koreyoshi Kurahara chronicles a year in the lives of Flep and Leila, two foxes living in Hokkaido, Japan's northernmost island, where the freezing winters are long and the mild summers short. After Flep defeats another male fox to become Leila's lifelong partner, they mate and raise a litter of five kits. With their family complete, the group must contend with human interference in their habitat, such as chicken farms and snowmobiles, and struggle against the debilitating cold of winter. The animals experience both triumph and tragedy, as the law of this harsh land proves – only the strong survive.

Two Japanese scientists, Ushioda and Ochi, develop a bond with their sled dogs while on an expedition in Antarctica.

The story of Shinsuke, a young man who lives through a stormy life as a poverty-stricken coal miner. Ranging from Shinsuke's infanthood to his mid-teens. Coal workers and the mines dominate nearly every aspect of his life. Shinsuke's father a group leader at the mine, dies while bravely using dynamite to rescue a group of trapped Korean miners. Several older men attempt to help he and his mother cope, including a friendly Harley-riding yakuza boss. This movie has it all, drama, romance, sex, yakuza and violence! It is based on a story by Hiroyuki Itsuki that was originally serialized in the magazine Shukan Gendai in 1969-70.

Rokuheita Narumi is fascinated by oriental art and works as the director of the Saho Art Museum in Nara. His wife, Noriko, is unable to leave Tokyo, despite his wishes, and the two live separately. Feeling lonely and neglected by her husband, she immerses herself in the depraved life of the city and continues to have a loveless relationship with a doctor, Katsumori. One day, Narumi arrives in Tokyo and learns of Noriko's affair, but he cannot divorce her for the sake of their child, so he devotes himself to his work.

Koreyoshi Kurahara's ingeniously plotted, pocket-size noir concerns the intertwined fates of a desperate bank manager, blackmailed for book-cooking, and his resentful but timid underling, passed over for a promotion. The marvelously moody Intimidation is an elegantly stripped-down and carefully paced crime drama.

A Japanese racing driver for Nissan named Godai (Yujiro Ishihara) have a rivalry with a French driver named Pierre (Jean-Claude Drouot). Godai is enlisted to race in an annual endurance race, The East African Safari Rally. Peripheral to this is the story concerning Godai's former lover Yuko (Ruriko Asaoka), a fashion designer, and her friend Anna (Emmanuel Riva), who happens to be Pierre's wife.

A juvenile delinquent gets out of the pen and immediately embarks on a rampage of untethered anger, most of it directed at the girlfriend of the journalist who helped send him up.

A young wealthy widow becomes sexually involved with her father-in-law, while harboring a destructive obsession with the family gardener.