Kingdom of Samurai

The story of an airport and its air traffic control crew in a remote and northern Japanese town. Three of the air traffic controllers are female with one of them working with her dead fiancé's sister. The engaged man had gone to war and never returned.

The harrowing journey of Kinu Wada, a young woman who is sold into prostitution to pay her family's debts.

In a small town, according to the homecoming of Professor Ishinaka, the youth culture group was overwhelmed to make a presentation for the summer festival, but because of lack of funds, she works part-time at the spectacle of a tour, a haunted house Especially. The ghost was a struggle amongst the people, it was a great success in filling the crowd, but in the circus hut next to it, Kenji who was supposed to have disappeared was pitiful.

The karashi Botan returns in the third chapter of the incredible Showa Zankoden series. This time legendary actor Ken Takakura plays Takei Shigejiro of the Shimazu family. When the boss of the Shimazu is killed, Shigejiro takes revenge and is sent to jail. Upon his release, he meets the dying widow of one of hid followers and takes her to her father, Boss Shiomasa, who take him into his family. But when Shiomasa is killed by an old enemy, Shigejiro is obligated to take revenge...

Hidejiro is a wandering yakuza with a ‘karashi botan’ (Chinese lion and peony) tattoo. Owing a favor to the Soda Family, he kills the boss of the rival Sakaki Family. When the Soda attacks the Sakaki and double-crosses him, with sword in hand, Hidejiro seeks brutal retribution.

The story of a lone wolf struggling with human compassion and duty.

After World War II, their town was a pile of rubble. Gennosuke, the second generation boss of the Kamizu Group was upholding yakuza chivalry by keeping black-market and illegal items out of their open-air market. Taking advantage of the mess, Iwasa and his gang take hold of goods from the US military, black-market and controlled items in order to become the most powerful group in Enko area.

The ninth and final film in the Contemporary Tales of Chivalry series.

Somewhat unique as it appears to be one of the very rare appearances of master thespian Itô in a yakuza role.

Katsuji takes revenge on evil Tamaru who forcefully took control of the fishery business run by Katsuji’s friend.

Shinkai, a Buddhist monk with a penchant for drinking and gambling, sets sinners straight with judo throws rather than sermons. After fighting off a gang of street thugs, Shinkai is placed on probation but manages to escape his superiors’ watchful eyes to covertly indulge in life’s pleasures. But when he hears of rogue priests in his order consorting with yakuza, Shinkai must make them see the error of their ways and reach enlightenment, one punch at a time.

Ronin Sasaki Kojiro pursues his ultimate goal of becoming a master swordsman. Along the way he encounters another great swordsman, Miyamoto Musashi.

Story of a gangster (Mihashi), newly released from prison, who specializes in blackmail. His standing in the underworld declining, he makes the risky move of blackmailing a government official tied to the Japanese mob.

Sonny Chiba's first martial arts film, a partially fictionalized judo biopic based on prominent judoka Shiro Saigo (Chiba), the second student of judo founder Jigoro Kano (Naoki Sugiura). Akira Kurosawa’s Sanshiro Sugata is based on the same character and shares some scenes, but Judo for Life focuses more on the martial arts philosophy and training, including scenes depicting how the protagonist learned his famous cat-like landing, coined the term judo, and trained with Tsunejiro Tomita (Hideo Murata). There’s also a slight yakuza film influence. The port street ambush scene is found in both films, but in Judo for Life it’s not Kano but a travelling yakuza that jumps out of the rickshaw. Entertaining and beautifully old fashioned, one does however with there were more shades of gray between good and evil, and a stronger ninkyo-like moral / honour conflict.

Jidai-geki by Kiyoshi Saeki

In the 15th year of the Meiji era (1882), Ōkuma Shigenobu, expelled from the Council of State by the Satsuma-Chōshō clique, poured his personal fortune into establishing the Tokyo Professional School in a tea field in Waseda Village. With seven professors, including Takada Sanae and Tsubouchi Yūzō, and eighty-seven students, government interference extended even to finances; Ono Azusa, who tirelessly worked to secure funding, died from overwork.