The Great Detective

This two-reel Lloyd Hamilton comedy. Set in the bucolic countryside, the opening sequence introduces Ham and his girlfriend Babe London as "the hired man and his three acres of love.". Ham encounters an attractive, prosperous-looking young lady who is having car trouble. After gallantly fixing her flat tire and when he realizes that the young lady has left her purse behind with her address inside he sets out to return it, no doubt hoping for a reward, either monetary or romantic.

Angela comes to Hollywood with only two things: Her dream to become a movie star, and Grandpa. She leaves an Aunt, a brother, Grandma, and her longtime boyfriend back in Centerville. Despite seeing major movie stars around every corner, and knocking on every casting office door in town, at the end of her first day she is still unemployed. To her horror, when she arrives back at their hotel, she finds that Grandpa has been cast in a movie by William DeMille and quickly becomes a star during the ensuing weeks. Her family, worried that Angela and Grandpa are getting into trouble, come to Hollywood to drag them back home. In short order Aunt, Grandma, brother, boyfriend and even the parrot become superstars, but Angela is still unemployed...

A small town man takes a mail-order detective course. When a Black friend is murdered, he goes undercover in black-face to investigate at a notorious, knife-wielding bootlegger's roadhouse. Originally a 5-reel feature (50min), now only 2 reel edit exists.

Mr. Jones must go to the big city and get married in order to receive an inheritance, but his marriage-of-convenience turns into a nightmare.

A mad captain poses as a cleric to murder people aboard a fogbound ship.

Ham is interested in a girl named Marie and wants to impress her. First he buys a car and then he takes her out to a swanky nightclub. During the course of this disastrous date Ham realizes that Marie isn't the nice girl he thought she was: she only went out with him to make her real boyfriend jealous. The boyfriend is a dancer at the club, and when she sees him kissing his dance partner she becomes enraged and smashes up the place, while poor Ham is stuck with the bill.

When Bruce Sands, a dilettante artist with a history of amorous peccadilloes, discovers that his latest flame Bunny Winston wants to marry him, he seeks refuge at his friend John Woodward's country home, unaware that Woodward has asked Bunny to marry him. Bunny follows the artist to Woodward's estate, where Bruce begins a flirtation with Woodward's daughter Audrey. After Audrey is injured in a fall from a horse, Bruce promises to marry her, thinking that she is on her deathbed. Upon hearing the news, Bunny assumes that Bruce will now be a member of the family and so marries Woodward. When Audrey recovers, the engagement is broken, Bruce returns to town, and Bunny follows. Bruce rejects Bunny and begins his campaign for his next victim, leaving Audrey and her father to console each other.

Bathtub movers on the job.

Lloyd Hamilton goes fishing.

Sent as a missionary to cannibals, Lloyd Hamilton boards a ship, but encounters many problems along the voyage.

Beatrice Lillie shines in disguise as a private detective.

Ham gets a job at the lunch counter at a fitness club and soon rouses the ire of the manager.

Now hear this. The studio that gave the cinema its voice offered 1929 audiences a chance to see and hear multiple silent-screen favorites for the first time in a gaudy, grandiose music-comedy-novelty revue that also included Talkie stars, Broadway luminaries and of course, Rin-Tin-Tin. Frank Fay hosts a jamboree that, among its 70+ stars, features bicyclers, boxing champ Georges Carpentier, chorines in terpsichore kickery, sister acts, Myrna Loy in two-strip Technicolor as an exotic Far East beauty, John Barrymore in a Shakespearean soliloquy (adding an on-screen voice to his legendary profile for the first time) and Winnie Lightner famously warbling the joys of Singing in the Bathtub. Watch, rinse, repeat!

Dreamy little comedy as down-on-his-luck Ham looks for work, gets thrown out of his rooming house and tries to make it on the street -- in the best, gag-filled 20s comedy style.

A Lloyd Hamilton slapstick comedy directed by Charley Chase.