Oscar Thiffault

Luc-André Godbout, better known as Ti-Dré, is a forty-three-year-old orphan who cleanses furnaces and consciences. Here he is presented, life-size, in a film impregnated with this extraordinary character.

Les Grands Enfants does not tell a story in the traditional sense. Instead, it offers an honest image of people's dreams of change : people often unemployed, dissatisfied in some way with their work, or caught up in complicated social relationships. The film is set in Montreal.

A working class family leaves St-Henri quarter in Montréal to build a new home in the countryside.

Dancing Around the Table: Part One provides a fascinating look at the crucial role Indigenous people played in shaping the Canadian Constitution. The 1984 Federal Provincial Conference of First Ministers on Aboriginal Constitutional Matters was a tumultuous and antagonistic process that pitted Prime Minister Pierre Elliot Trudeau and the First Ministers—who refused to include Indigenous inherent rights to self-government in the Constitution—against First Nations, Inuit and Métis leaders, who would not back down from this historic opportunity to enshrine Indigenous rights. The conference was Pierre Elliott Trudeau’s last constitutional meeting before he resigned and the process was handed over to his successor, Brian Mulroney.

Guy Nadon is the rhythm incarnate. A jazz drummer who strikes on everything that makes noise. A king of musical improvisation, but also a king of improvisation, sometimes holding words bordering on surrealism.

A documentary that allows us to witness three births in their intimacy. Through their actions, the couples who agreed to participate in the film help to propose alternatives to the dominant medical interventions in hospitals.

Upon Canada's entry into World War II, the RCMP rounded up thousands of people it considered fascist sympathizers. Among them, 700 Italian-Canadians were held for up to three years in internment camps. None were ever charged with a criminal offence.

This film is first and foremost a documentary on the exploitation of the peat bogs of the Bas-Saint-Laurent region, which export most of their humus production to the United States: but the film is also the story of the exploitation of nature by man and of man by man.

Feature-length documentary as part of Pierre Perrault's Abitibian Cycle. The filmmaker questions the past and present of Abitibi and draws up, face to face, the promises of colonization in the 1930s and the great disappointment caused by the closing of the land in the 1970s. There are witnesses to the heroic era, including the cultivator Hauris Lalancette, as well as extracts from films by Father Maurice Proulx (1934-1940).

In this very personal and poetic film, veteran documentarian Serge Giguère pores through 100 letters written by his late mother to him and his 15 siblings. In them, she details the trials and tribulations of raising 16 children in rural Quebec, while helping to run a family carpentry business.

A dying man films his last month.

A two-part documentary about theatre. “The Affirmation” explores the early works of modern theatre that emerged amid the linguistic controversy of the 1960s. “The Questioning” looks at the 1980s, with the development of a new universal stage language and the emergence of new generations of playwrights.

Years after first being inspired by a Félix Leclerc song, Martine Chartrand directed the film MACPHERSON. Ten years in the making, it features animated painting on glass and draws on her extensive research on the title character. Filmmaker Serge Giguère was there from the start, carefully and sympathetically chronicling this exceptional creative process.

This short documentary chronicles the everyday life of the city's residents. We hear testimonials from citizens set against black-and-white images of life downtown.

MAURICE reveals the famous #9 of the Montreal Canadiens like never before. Through never-before-seen archival footage shot over 35 years, this documentary offers exclusive access to the man behind the Rocket myth. Designed by Serge Giguère and Robert Tremblay, who died before completing this project, MAURICE paints an intimate and authentic portrait of Maurice Richard, well beyond his exploits on the ice rink. More than a hockey player, he embodies the perseverance and hope of a people, forever marking Quebec culture.