Mella

After the triumph of the Revolution, the construction of a new society reshapes the lives of a group of characters, forcing each of them to confront a transformed future. Luis, a young, poor Black man; Fernando, an exiled professor returning to his homeland; Rafael, a labor leader, and his daughter Niurka; and Ricardo, a young bourgeois who fought against the tyranny but now resists the loss of his former social status. Each will be pushed to extreme situations that compel them to redefine themselves in relation to the new meaning the Revolution has given to their lives.

A thrilling performance film featuring Cuba's greatest ballet dancer, Alicia Alonso in her acclaimed portrayal of Giselle, the ballet that made Alicia an international star. In this tale, Duke Albrecht disguises himself as a peasant to win the love of the beautiful Giselle.

Heaven is in chaos. God left for Earth to seek faith and hope in humanity. San Wichón stays in charge of the Celestial Senate and, in his campaign for the governorship, things get out of control. Disillusioned because Heaven is no longer a paradise, the girl angel María de las Estrellas (Mary of the Stars) descends to Earth to look for Heaven's top boss.

In 1920s Havana, Rachel is a showgirl who longs to become a headliner at the incredibly popular Alhambra theater. On her way to attain that, she loses the love of her life and falls into the clutches of a passion that nearly destroys her career.

A study in contrasts set in and around Havana that explores Cuba's 1959 revolution: a young woman's fascination with the excess of an American-owned casino leads to her downfall in the eyes of her street vendor boyfriend; a tenant farmer revolts the only way he knows how, attacking the land he works; university students gain first-hand knowledge of political upheaval; and, in the hills outside the city, the members of a poor peasant family are patriotically swept up into the burgeoning revolt.

Destino is a Mexican telenovela produced by Maricarmen Marcos for Azteca. Paola Nuñez and Mauricio Islas star as the protagonists.

A man finds his image in a mirror, undertakes a discussion.

The first gay-themed film produced in Cuba by the Institute of Cinema since Strawberry & Chocolate in 1993. The theme, however, is the same as in Guttiérerez and Tabìo's film: homophobia, machismo and fear. The fatal attraction between Alfredo, a doctor in the merchant navy, and handsome Carlos starts in a rundown Havana bar and ends at the sailor's house. But Alfredo's flirting and seducing of Carlos immediately turns into something complicated, ambiguous, dangerous. In a claustrophobic, tense atmosphere, their bodies are powerfully attracted, and the words, though violent, intensify the level of sensuality. Does each man kill the thing he loves? Evoking dreamlike atmospheres and characters, 80-year-old veteran director Enrique Pineda Barnet openly references Fassbinder's Querelle and Jean Genet. Quite controversial in its approach, the films demonstrates the milder attitude of Raul Castro's regime towards Cuba's LGBT Community.

In Havana in the nineteen sixties, there were 140 movie theaters. Only a dozen remain today. For ten years, the cinema industry was a pillar of the Cuban Revolution, but the regime’s hardening and the economic recession precipitated its decline. Fifty years later, only a dozen movie theaters are still running in Havana, while a new generation of bold filmmakers struggles for the very existence of Cuban cinema. In the Heat of the Cold Years tells the story of Revolutionary Cuban cinema through the memories of a choral of elder filmmakers, such as Luciano Castillo, the director of the national film archives, as he scrambles for the preservation of this crumbling cultural legacy, and through a group of young Cuban filmmakers struggling to make their first feature film.