Gamera vs. Garasharp

Iron King is a tokusatsu superhero TV series about a giant cyborg. The series was produced by Nippon Gendai and Senkosha, and aired on Tokyo Broadcasting System from October 8, 1972 to April 8, 1973, with a total of 26 episodes.

Documentary focusing on the Japanese Godzilla, featuring interviews with such people as Director Jun Fukuda, the wide of the late Ishiro Honda and Alex Cox. This documentary incorporates footage from rare shows like "Ultra Q" and films like "King Kong Escapes".

A five year old boy leaves his mother and grandparents to see his father who has gone to work in Osaka.

Takeshi Yamato, a twenty-two-year-old young man lives a double life. During the daytime, he is a rookie but popular science teacher at a junior high school in Tokyo. But after school and on Sundays he works as a member of the elite UGM (Utility Government Members).

An expedition goes out to a remote island to find a priceless opal. This opal happens to be the egg of the powerful Barugon, a huge lizard-like monster that can freeze foes with its long tongue or disintegrate them with its devastating rainbow ray. When Gammera begins to fight Barugon, several plans begin to stop both monsters and keep the damage of Japan at a minimum.

One of Kinugasa's last films--based on the story by Tanizaki Jun'ichirō.

A young girl is rigorously trained in the feminine arts so that she can become a geisha. As she struggles through life, she learns to live not just as a woman but as a complete person.

A greedy, materialistic family attempts to cover-up the embezzlement committed by the son while keeping their other schemes active. They discover there are other, equally conniving players involved.

Up until this point, young Sayuri Nanjo has had to live most of her life in a nun-run boarding school for orphans and away from her parents. That's all about to change when her real father mysteriously comes to get her and finally bring her home.

Satoko is a mistress by trade or fate: when her master, the silkscreen artist of the Kohoan Temple in Kyoto, dies, she is given to the temple's lascivious head priest Kikuchi. She is drawn to a melancholy young acolyte, Jinen, who has observed the profligacy of his cruel master and Satoko's utter dependence on the man. Jinen is both fascinated and disturbed by Satoko's interest in him; he is similarly caught between loathing of Kikuchi and of the dark circumstances of his birth and his own moral weakness. The story unfolds in a dreamlike manner—a flashback inspired by a now-infamous image on a silkscreen in the souvenir shop at the so-called Temple of the Wild Geese.

Gamera escapes from his rocket enclosure and makes his way back to Earth as a giant opal from New Guinea is brought back to Japan. The opal is discovered to have been an egg that births a new monster called Barugon. The creature attacks the city of Osaka by emitting a destructive rainbow ray from his back, along with a freezing spray capable of incapacitating Gamera.

Unusual volcanic activity in Japan awakens Gyaos, a bloodthirsty flying monster with the power to slice things in half with an ultrasonic ray. While scientists and the military scramble to devise a way to stop this new threat, a young boy forms an alliance with Gamera; a monster no one else seems to trust.

A nuclear explosion in the far north unleashes Gamera, the legendary flying turtle, from his sleep under the ice. In his search for energy, Gamera wreaks havoc over the entire world, and it's up to the scientists, assisted by a young boy with a strange sympathic link to the monster, to put a stop to Gamera's rampage.

When a giant stone statue on Wester Island is disturbed, the legendary monster Jiger appears and heads for Japan. Gamera tries to stop this new rival, only to be injured when Jiger lays eggs inside of him. As two boys in a submarine go on a dangerous quest inside of Gamera's body to save him, Jiger threatens the Expo '70 world's fair in Osaka.