Rubbish

Adam is a factory worker. He falls in love with Chris, a slightly older man. Instead of strengthening his own identity, Adam is unable to cope with his sexuality and suffers a nervous breakdown. One of the first representations of gay men in Australian cinema and an iconic piece of LGBTIQA+ film history.

Concerns a young boy's mystical experiences during his Confirmation. As the ceremony unfolds, figures from religion and mythology appear and impress on him the need to become a soldier of Christ.

A young boy with such little to do, wanders around Sydney playing sheriff with his toy gun. However, this state of monotony takes a sudden turn when he encounters a group of older boys.

“The film was made spontaneously one afternoon in 1966. When a few friends got together... We were all in love with the film medium...” (Garry Shead)

An experimental film by David E. Perry

In this short self-portrait, Ubu Films co-founder Perry mines his archive of family photographs, home videos and exhibited 16mm film to fast-forward, reverse and freeze-frame narratives and reminiscences.

Constant Malernik, artist and filmmaker, is obsessed by the history of the Russian revolution. He makes images in homage to artists of the twentieth century, especially the constructivist V.E.Tatlin. He travels to New York, then to his past in Australia where he meets the notorious fakes, Ern and Ethel Malley. With his partner Lydia he travels to Russia at the time of the overthrow of the Communist Party. In Russia, Malernik films Lydia’s first meeting with her family. He also unearths some little-known facts about Tatlin’s flying machine, the Letatlin.