Una mujer en el bosque

Pablo is a young, wealthy but solitary man traumatized by a fatal car accident. He meets Lara through a dating app tied to an exchange of the titular blue box. As their relationship grows, Lara draws Pablo out of his shell. But an anonymous warning alerts Pablo that Lara may not be all that she seems. What begins as an intimate connection gradually turns into a tense psychological game of cat and mouse, forcing Pablo to confront both his past and the true nature of the woman he is falling in love with.

Sebastián is a locksmith who begins to have revelatory visions about his clients every time he touches their locks. This power complicates his life.

Ely is 17 years old. After school, she works few hours at a pet shop. When Ely learns that she is pregnant, her inner world explodes even though she tries to go on with her daily routine as if nothing was different. She is afraid and upset, and she knows that, whatever she decides to do, there is no turning back.

Following a bust-up with her girlfriend, Emilia returns from the city to her mother's village, somewhere in Patagonia. Her mother isn't overjoyed about Emilia's return, as this disrupts her peaceful existence. Emilia tries to decide how she wants to carry on with her life, but is confronted with people and feelings from her past. Bored and frustrated, or just looking for intimacy, she seduces a number of men, including her childhood sweetheart, but also falls in love with a girl at the school where she teaches gym – an obsession that distracts her from her broken heart and musings about the future. In his first feature, director César Sodero contrasts Emilia's inner restlessness with the immutability of Patagonia. He does this using images of impressive landscapes, natural dialogue and telling non-verbal communication. Surrounded by the peace and beauty of nature, inner chaos gradually gives way to acceptance and self-awareness.