Horses Die at Dawn

In an attempt to reclaim pasture for their cattle, the inhabitants of an ecovillage in Navarre decide to cut down a pine grove planted as part of a state-funded reforesting initiative. In this fierce and sensory work, the filmmakers capture an adversarial process which uses deforestation techniques to transform a territory.

Uztarroz is a village in the Navarrese Pyrenees where, until the summer of 2022, 3 films had been shot without the authorship and decisions of its inhabitants. In this fourth film they collectively determine how to portray the village and self-represent themselves.

A study on what the transition to old age means from a female perspective, taking as an example the director's two grandmothers, witnesses of the dictatorship, the transition and of contemporary Spain.

Kukuaren Kanta quantifies the beauty of a tiny town in Navarre, which lives attentive to the rhythm of the seasons, on the sidelines of the urgency and waiting for the end of the world. The shooting of a community film serves as a pretext for the inhabitants of Lerga, the 'Cucos', to film themselves thinking about posterity. Songs to the Virgin of Ujué, rituals of faith, aerobic exercises in synchrony, work in the field and crafts or the preparation of a meal collaboratively are combined in the present but are projected towards the future, when the image will be footprint, memory of a life in common. Between resilience and invention, cinema builds senses of community and belonging.