Mary of Mile 18

This animated short film is an interpretation of Earle Birney's poem “Trawna Tuh Belvul by Knayjim Psifik.” Using finely crafted cut-out animation, the film retells a memorable experience of the journey from Toronto to Belleville, Ontario.

The opening pitch of the television salesman pretty well establishes the tone of this pithy animation film: a solid-state model guarantees high-quality entertainment. TV Sale is an entertaining, incisive and horrifying satire on some of the material that is disgorged via the "boob tube." Programs are designed around the product, not the spectator.

This documentary follows four female First Nations artists—Doreen Jensen, Rena Point Bolton, Jane Ash Poitras and Joane Cardinal-Schubert are First Nations artists who seek to find a continuum from traditional to contemporary forms of expression. These exceptional artists reveal their philosophies as artists, their techniques and creative styles, and the exaltation they feel when they create. A moving testimony to the role that Indigenous women artists have played in maintaining the voice of their culture.

This short animated film is an impressionistic exploration of sensuality within the feminine imagination. Inspired by Anaïs Nin's poetic writing, Sabina breathes with lush, elemental energy where colours embrace and shapes caress in the soft currents of water and desire.

In this animated short, a young girl and her father move from China to Canada, bringing only their Chinese violin along for the journey. As they face the challenge of starting fresh in a new place, the music of the violin connects them to the life they left behind and guides the girl towards a musical future.

This introspective short animation takes place In the village of Carcross, in the Tagish First Nation. Neighbourhood pillar Grandma Kay tell the local children the tale of how Crow brought fire to people. As the story unfolds, we also meet 12-year-old Tish, an introspective, talented girl who feels drawn to the elder. Here, past and present blend, myth and reality meet, and the metaphor of fire infuses all in a location that lies at the heart of this Native community’s spiritual and cultural memory.

The story of a small boat of the shores of British Columbia during a storm and the people who are linked to its ultimate fate.

A concert pianist prepares to begin his practising for a major concert coming up. Unfortunately, he has this procrastination problem that prevents him from getting any serious time done, even when his frustration with it literally driving him into a frenzy.

In this short documentary, a succession of black and white photographs provides a gritty look at juvenile prostitution and at the young people, male and female, struggling to get off the streets. Highlighting the links between being sexually abused as a child, loss of self-esteem, and turning to the streets, the film quickly dispels the images of glamor and big money usually associated with prostitution, and shows the positive efforts of child-care workers to help juvenile prostitutes find a way out.

Jamie is shocked when she and her best friend become victims of homophobic name-calling, but she must face up to her own reactions as she realizes that her friend is "one of them" and needs her support.

A hauntingly beautiful film about the world's flight into chaos. Rimmer has taken McLaren's camera-less technique to new heights. He paints directly on clear 35mm leader, using odd materials such as household cleaners, varnish, inks and sometimes fish scales and ferns. He feeds the loops through a film editing machine, overlays them with music and records the result with a mini DV camera. A production of the National Film Board of Canada.

This animated short looks at the building of Canada's transcontinental railroad with wit and whimsy. Engine 371 illustrates the struggle humans have with nature and how this fundamental tension united a country.

One of Rimmer's early 2000s video works which he made by hand-painting 35mm film, running it on a flatbed viewer, and shooting it off the screen with a video camera to then subject it to further manipulation.

Pia Yona Massie's Sayonara Super 8 uses personal archival footage to ask questions about the fragile nature of memory, human relationships and the foibles of the medium itself.

Métis filmmaker Christine Welsh puts a human face on a national tragedy: the murders and disappearances of an estimated 500 Aboriginal women in Canada over the past 30 years. Explores the deep historical, social, and economic factors that contribute to this epidemic of violence against Native women.

A couple raises their four children, but their relationship ends.