The Road

An ex-convict came to a small town to learn a handcraft from an old sculptor. He came to know his mute daughter, and soon they fell in love. Then, one day, a hooligan came. He had a crush on the mute daughter and wanted to harass her.

In a tiny fishing hamlet on an island off the coast of Taiwan, men find their balls are swelling. The entire village gets involved in diagnosis and treatment.

Dragon Eye Congee tells the story of a second-generation Taiwanese American, Shaun Tam, who, since childhood, has repeatedly dreamt about the same woman in the same scenes, complete with a haunting melody and the fragrant smell of rice congee with dried longan.

Jointly and respectively directed by King Hu, Lee Hsing, and Pai Ching-Jui, three major Taiwan directors of the 1970s, this film consist of three shorts with the same cast of two actors and one actress, who through reincarnation meet in three different times.

A loose youth passes the time freely until he comes across a young, female broadcaster who works at a radio station.

Story from Qiong Yao's novella collection "Shui Ling"

Directed by some of most well known Chinese-language directors of the time, the portmanteau film Four Moods was an attempt to alleviate Li Han-hsiang’s financial troubles during the late 1960s. Arguably one of his best works, King Hu’s short Anger is an adaptation of the famous Peking opera San Cha Kou; set to opera instrumentation and stylishly shot, the film deftly captures the tense showdown between political schemers, avengers and vagabonds inside an inn. Li Han-hsiang’s Happiness, inspired by the Strange Tales of Liaozhai, tells a tale of reprieve for a kind-hearted ghost, while Pai Ching-Jui’s Joy and Lee Hsing’s Sadness both explore the fateful encounters between mortal men and ghostly women.

Spring in Autumn tells the story of university student Cheng Wei who rescues He Liwen, a woman facing a family crisis, abandonment by her boyfriend, and the predicament of pregnancy. He takes her in and accompanies her through an abortion procedure. After Cheng Wei unexpectedly loses his memory, the two reunite two years later in a mountainous area and rekindle their romance. However, shadows from the past and external obstacles emerge.

The story of the Opium War between China, in the waning days of the Qing Dynasty, and the British Empire, in the 1830s, and the subsequent takeover of Hong Kong by Britain; through the eyes of the key figures, fiercely nationalistic Lin Zexu, and opportunistic British naval diplomat Charles Elliot.

Overweight shoeshiner Brother Wang (Wang Ge) and skinny rickshaw driver Brother Liu (Liu Ge) are best friends and roommates. One day, they come across a fortune teller who offers a peculiar forecast: that Wang will become very wealthy in three days but that Liu will die in 44 days. When Wang strikes gold by winning the lottery, just as predicted, the celebratory mood is soon eclipsed by the reminder that Liu’s death also has been forecast. With his newfound wealth, Wang decides to reward his dying buddy with the trip of a lifetime. Carrying around a suitcase full of cash, the working-class twosome embark on a road trip around the beautiful island of Taiwan. Enjoying a lavish lifestyle as inexperienced big spenders, they find themselves in unexpected situations and amusing predicaments, one after another.

The film is based on the real story of Zheng Fengxi. The disabled author studied hard since childhood and finally he graduated from the college.

Hsiao-yueh and her widowed father receive a flock of genetically-improved ducks from the state agricultural council to participate in a breeding experiment.

Oyster-gatherer Ah-lan is in love with the often-absent fisherman Chin-shui, but a bout of premarital sex leaves her pregnant and vulnerable to malicious gossip.