The Mothers' House

Lying on the coast of Cape Town - South Africa's most segregated city - there is one public space where everyone does seem to come together: the Sea Point Promenade and Municipal Pools. Set between city and ocean, this beautiful strip of "everymansland" offers a quirky and often entertaining mix of class, race, gender and religion: a place where South Africans of all backgrounds can experience happiness together... But is all as it appears? SEA POINT DAYS presents an unusual and impressionistic record of life at Cape Town's Sea Point Promenade and municipal pools, using largely cinematic vignettes to explore issues of belonging, integration, nostalgia, happiness and identity in an ex-white South African neighbourhood.

On April 28, 1997, Morné and Celeste Nurse's firstborn was born - a baby girl they named Zephany. Three days later, that baby disappeared from her crib. They continued to search for her for 17 years after her second daughter, Cassidy, went to a new school in 2015 and met someone who looked like her. DNA tests have shown that she is their lost daughter. Zephany, who grew up as Miché Solomon, was taken to a place of safe custody and the woman she had known as her all her life was arrested and eventually sent to prison. However, Miché chose to stay with her abductor and not by her biological parents. This documentary tells a moving story of hope and loss

For one week in Gaborone, Botswana, a collection of aspiring lawyers gathers for the annual African Human Rights Moot Court Competition. Competitors represent the top law schools from their respective nations as they debate a new issue each year. This time around, the focus is on the rights of refugees. Developing arguments that will be judged by practicing lawyers, the next generation discovers what policy should look like in the African continent and where advancements can be made across the region. While you may come for the competition in African Moot, you stay for the rising stars learning on the ground what it means to fight for their cause, country and continent as one.

Looks at a group of homeless people, the Bergies, in Cape Town, South Africa. Through a series of interviews, the film traces the Bergie community back to their Khoisan roots, outlines colonial dispossession, and looks at problems with alcohol dependency. It also gives the community a chance to tell their story, by zooming in on the daily life of two couples