No More Everyday Life

In 1967 three students started the Experimental High School of Oslo - FGO. They wanted to make a free and democratic school, where pupils and teachers were equals, and the curriculum focused on freedom, learning and mutual respect.

While her mama is at the hospital to give birth, and her dad has gone off with a mistress, Maja has to survive by herself and her grandma, thanks to her Indian costume and her second Indian identity as Maja Stoneface.

Fia is a wise and somewhat tough 8-year-old girl. Perhaps a cousin of Pippi Longstocking, only a little more vulnerable. Like Pippi, and all other children, she wants to be big and strong, with the power and opportunity to make the world the way she wants it to be. Fia has a difficult role as a kind of "mother" to her mother, a mother who is unable to cope with everyday life. But in the yard opposite lives the magician Bustric, and he becomes Fia's anchor in life. Bustric is a little grown up, but very much a child, and he saves Fia from being seen as a liar and a dreamer in the new class she has to start in.

A married couple, unable to conceive, search for a male donor, but jealousy creates problems when the husband spies on his wife while posing as her brother.

A journey into the life of Elling Kvamme. He was arrested and send to KZ Buchenwald, 22 years old. What did he experience there, as a young "Aryan" medicine-student? And why was it so important to put away what role the doctors had in the development of the Nazism and the idea of removing "useless" lives?

A road-movie about the psychological consequences of living with a serious illness, and Einar's counter-moves to stimulate what is still healthy.

Jan Erik Vold has been best known as poet, activist and an Oslo-patriot in exile for many years, but who is he really?

A documentary showing how much pupils in a class at a school close to the Kings castle has common, even if they are of different background and personality, coming from all over the world.

Director/actor Eugenio Barba returns to Oslo, where he started Odin Teatret, to Opole, where Jerzy Grotowsky's " theatre of the poor" developed a new physical play style, to avoid communism's censorship. And to Holstebro, where Odin Teatrets presence has greatly influenced the city's development.