Naa Mogudu Naake Sontham

Ramu, a union leader, and Sita, a wealthy proprietor, fall in love and marry. They struggle to maintain their disparate roles in life, especially as Sita's cousin Ravi tries to separate them.

Rajesh falls in love with and proposes to Devi. However, a few days before their marriage, he learns that he has cancer and decides to make Devi hate him, so that she will marry another man.

Wrongly imprisoned and seeking vengeance against his oppressors, a man must face-off against his own son.

Jailer Sidhant Kumar is nicknamed Hitler at work for being the toughest supervisor, but at home, his wife rules the roost.

Chanda's parents disapprove of her boyfriend Ranga and want her to marry Prasad. Ranga is accused of having an affair with Sita. Chanda faces turmoil in her life.

Rajunath, the lazy son of the village postman Shambunath, is a liar. He often plays pranks on the poor villagers. When his father succumbs to burns, he swears never to lie again.

Movie director by Dasari Narayana Rao, with lead roles by Suman, Ramya Krishna & Roja.

The story is based on Indian historical events during the 16th century. It narrates the victory of Viswanatha Nayak on his father to express his devotion towards Srikrishnadevaraya. Viswanatha Nayak (Krishna) is the son of Nagama Nayak (Sivaji Ganesan), a successful General of Srikrishnadevaraya (Krishnam Raju) of the Vijayanagara Empire. Chola King Veerasekhara Chola invades the Madurai Kingdom and deposes the Pandya King Chandrasekhara Pandyan who was under the protection of Srikrishnadevaraya. Due to this, an enraged Srikrishnadevaraya sends Nagama Nayak to aid Chandrasekhara Pandyan. Nagama Nayak suppresses Veerasekhara Chola and takes Madurai, but then suddenly he calls off his allegiance and declining to help Chandrasekhara Pandyan usurps the throne. So, Viswanatha Nayak volunteers to face his father in the battlefield.

Ramu and Swapna are fellow medical students who love each other. But when neither of them reveal it, Swapna marries Anand, a doctor from London. Soon, Swapna realizes that Anand is already married. Meanwhile, Ramu meets Padma and falls in love with her.

A woman's marriage is filled with upheaval and conflict, but she makes many compromises for the sake of her struggling family. How will she react to her husband's ultimatum, that she must choose him and his family over her own, otherwise he would take their daughter and leave forever?

Shankar decides to leave behind his life as a gangster and lead a normal life. However, when his brother-in-law's life is at stake, he decides to rethink his decision.

Kondaveeti Simhasanam is a 2002 Indian Telugu-language action drama film directed by Dasari Narayana Rao

When Naidu confronts his son's rival group to end their squabbles, he encounters their mother Satya, his long lost love. As Honey learns the secret between Naidu and Satya, she is kidnapped by her father's arch rival Suyodhana Goud, who sees an opportunity to unwillingly ensnare her into a marriage with his son. Although these unfortunate turn of events bring Naidu, Satya and their sons together, they must devise a clever escape plan for Honey in this comedy-action journey.

Three friends — Ashwin, Kishore and Praveen get into business by purchasing a resort. Pretty soon, they find that they've got more than what they've bargained for. Apparently, the resort is haunted by a ghost. Unwilling to sell the resort, they seek the help of a mentalist, Rudra, to exorcise the ghost.

Our story has three married couples: One couple, who are happily married, are Tripathi (Sanjeev Kumar) and his wife Mary; the second couple are Geeta (Shabana Azmi) and Vinod (Vinod Mehra), who live in Vinod's mom's house. Their's is an unhappy marriage with Vinod spending a lot of time with Leena (Prema Narayan), and frequenting late and all-night parties. His wife patiently awaits his return every night; And the third couple is that of Shobha (Moushumi Chatterjee) and Vicky Kapoor (Jeetendra), their's is a seemingly "happy" marriage, with Shobha being a very jealous and possessive woman.