Cine Carmen Miranda

In this semi-autobiographical drama, filmmaker Diego Bauer plays a fictionalized version of himself confronting his past and present during a drastic weight-loss journey. As his body changes, he revisits memories of childhood, family, and social stigma, while questioning masculinity, desire, and belonging. Alongside this process, he reflects on his bisexuality and attraction to male and female bodies, exposing confusion, vulnerability, and self-acceptance. Blending fiction and confession, the film follows his attempt to reconcile who he was with who he is becoming in a society obsessed with norms and appearances.

At the heart of Manaus, two of the city’s last remaining street cinemas continue to endure: the historic Cine Carmen Miranda and Casarão de Ideias. O Cinema e o Centro explores their histories, challenges, and achievements, reflecting on the role of these spaces in an era shaped by streaming, shopping malls, and social media. More than movie theaters, they emerge as gathering places, sites of cultural resistance, and symbols of the enduring relationship between the city and the seventh art.