Silver Mask

Ultra Q: Dark Fantasy is a 2004 production, and the 19th installment in the Ultra Series that was broadcast in Japan in 2004. It is a sequel to Ultra Q, the first of the Ultra Series. It retains the same swirling effect for the titlecard, but with the words "Dark Fantasy" added underneath, the title also remains black and white.

After Professor Kasuga is killed by fiendish aliens for plans to a super-rocketship, his children trek across Japan, protected by the second-oldest brother, Koji, who transforms into the super-cyborg, Silver Mask.

Ultraman Max was an Ultraman TV series which started airing on 7 July 2005, and produced by Tsuburaya Productions and Chubu-Nippon Broadcasting Co., Ltd.. The show tried to return to the true formula of new monsters every week and being a fast paced show like previous series with the exception of Ultraman Nexus. The show is full of homages to past series by having three of the original cast members from the first Ultraman series being featured in an episode, updated versions of classic monsters like Red King, Eleking and Pigmon among others. One unusual episode revolves around the filming of the 1964 program Ultra Q which was the predecessor to the first Ultraman show in 1966. Two actors from that show appear as themselves.

Another being from Nebula M-78, identical to the original Ultraman, combines with car racer-turned-MAT patrol member Hideki Gô, and fights assorted menaces in a frightening new "Age of Monsters."

Hayata is a member of the Science Patrol, an organization tasked with investigating bizarre anomalies. He is mortally wounded when accidently encountering an alien being from Land of Light, who grants Hayata new life as the two are merged into one. Now, whenever a threat arises that is too great for the Science Patrol to handle, Hayata activates the beta capsule and becomes the hero known as Ultraman.

A high-tech squadron protects Earth from evil monsters and aliens with the help of a giant super-being named Ultraman Tiga.

As humanity begins migrating beyond Earth, a new Ultraman named Dyna arrives and bonds with defense organization GUTS' newest recruit, Shin Asuka, to protect a colony on Mars.

Akio Jissoji's Ultraman is a 1979 Japanese tokusatsu kaiju film directed by Akio Jissoji. It is a compilation film made up of scenes from Jissoji's episodes of the original Ultraman TV series.

Modern remake of the Kaiki Daisakusen / Operation Mystery tv show. A special unit called SRI (Science Research Institute) is investigating mysterious cases.

In the not-too-distant future, the Earth finds itself constantly under attack from extraterrestrial threats. The Terrestrial Defense Force establishes the Ultra Garrison, a team of six elite members who utilize high-tech vehicles and weaponry. Joining their fight is the mysterious Dan Moroboshi, secretly an alien from the Land of Light in Nebula M-78, who transforms into his true form in times of crisis, Ultraseven.

Advancements in science and the unchanging human psyche have given rise to new forms of terrifying crimes as the Science Research Institute (SRI) investigates various strange phenomena in Japan.

Near a remote Buddhist monastery, a young man falls in love with his sister and gets her pregnant. After a monk finds out, the young man becomes an assistant to a master sculptor, only to proceed to complicate matters with his affairs.

Kyogokudo is a used book seller who doubles as an onmyouji, or Heian style occultist. His friend Sekiguchi brings him the story of a woman who has been pregnant for twenty months. Sekiguchi investigates further with the help of his friend Enokizu, a detective with the unusual ability to see people's memories. They are hired by the impossibly pregnant woman's sister to find the woman's missing husband and lay this whole matter to rest. In the end, they need the help of Kyogokudo to exorcise the family curse.

Detective Kogoro Akechi is faced with a peculiar murder case involving forgeries of classic pornographic artworks.

A rigidly devoted young servant lives in a decaying aristocratic household as its members drift toward modernity, hedonism, and financial collapse. While the family quarrels over the fate of their estate, he clings to tradition and ritual, becoming a quiet witness to the social change and emotional unrest around him.

Nagare, a painter who wanted to commit a lover’s suicide with Mizue, the wife of his friend and patron Takigawa. Growing afraid at the last moment, he doesn’t go through with it – but Mizue sinks to the bottom of Blue Lake. Some time later, Nagare follows an invitation by Takigawa, who claims to have forgiven everything. To Nagare’s shock, Takigawa’s new wife, Ameko, looks exactly like Mizue. While staying as Takigawa’s guest, Nagare becomes haunted by Mizue’s ghost, who wants to be reunited with him at the bottom of Blue Lake.