Krvavý román

Third movie of the famous Czech adventure trilogy: Osada Havranů Na veliké rece Volání rodu

Second movie of the famous Czech adventure trilogy: Osada Havranů Na veliké rece Volání rodu

Two teenage girls embark on a series of destructive pranks in which they consume and destroy the world around them.

Kinoautomat was the world's first interactive movie, conceived by Radúz Činčera for the Czechoslovak Pavilion at Expo '67 in Montreal. At nine points during the film the action stops, and a moderator appears on stage to ask the audience to choose between two scenes; following an audience vote, the chosen scene is played.

During the Thirty Years' War, ploughman Petr, recruiter Matěj and country girl Lenka are caught up in both sides of the war and experience many adventures before they find happiness.

A Czech director wrestles with problems personal and political during the Prague spring of 1968.

First movie of the famous Czech adventure trilogy: Osada Havranů Na veliké rece Volání rodu, based on the works of Eduard Štorch and directed by Jan Schmidt. Each of the films is a completely separate and self-contained story, although they are all connected by some characters and, of course, by time - five thousand years ago. The story of the Ravenpiercer, a young hero from the Stone Age, is shrouded in mystery - for he was brought there by a swollen river. He was fished out of the waves by a young hunter, Sokol, and adopted by the Raven village. The fate of the boy from his childhood through his desire to become a hunter, through the many disappointments that await him among the adults, to the founding of a new family - this is the plot thread connecting the individual parts.

Lemuel Gulliver has had a car accident and continues his journey across the unknown countryside on foot. On the road he finds a dead rabbit dressed like a man and takes a watch from its waistcoat breast pocket. The half-ruined house that he enters reminds Lemuel of his childhood and brings up a painful memory of a dearly loved girl Markéta who was drowned years ago. Gulliver finds himself in Balnibarbi, a country where he doesn't understand the laws and habits and so continually offends against public decency. It is a day when people are ordered to keep their mouths shut and they force their visitor to follow suit. He faces harsh interrogation and finds it difficult to explain that he is not the rabbit Oscar whose watch has been found in his possession.

Three separate short stories by Jan Drda from the collection The Dumb Barricade: The Dynamite Watchman, Hatred and Traces.

In post-WWII Communist Czechoslovakia, several characters considered bourgeois are sentenced to work in a junkyard for rehabilitation. Among them is a young man who pines for a female convict.

The year is 2163. Starship Ikaria XB-1 embarks on a mission deep into space in search of alien life. During their perilous journey the crew confront the effects of a malignant dark star, the destructive legacy of the 20th century and, ultimately, the limits of their own sanity.

The story is about Harold, an isolated figure in an overwhelming world of totalitarian bureaucracy. Harold tries to find the elusive Joseph Kilian, an old acquaintance, in Prague. When Harold stumbles across a state-run cat-lending store, he impulsively rents a feline for the day. Later, he attempts to return the cat and finds that the store no longer exists. Now with a furry companion, Harold continues his search for Kilian. Written and directed by Pavel Juracek, this 40 minute film effectively aims its allegorical shots at personality cults and the absurdities of a totalitarian regime.

Jurácek's feature debut is shot in two parts. In the first, a corporal accompanies a new recruit with a sore Achilles tendon for his physical, and all the girls or young women they see are played by the same actress (Ruzickova). In the longer second segment, shot with the help of the Czechoslovakia army, the soldiers pass the time during basic training and maneuvers by talking about girls.

Jan Schmidt and Pavel Juráček turn their attention to the problem of Czechoslovakia's unloved cars in this whimsical documentary short.

An experimental retelling of the story of Adam and Eve which then progresses into an allegorical depiction of the loss of innocence.

A troupe of young women on post-apocalyptic earth are lead around by a mistress born before the war, eventually stumbling into the company of a lonely old man.