Gorączka mleka

The marital argument is interrupted by a phone call with a desperate cry for help.

October 1934. Poland. Famous bank robber Kwinto decided to quit his dangerous criminal job, but after his friend's death, he changed his mind and organized a burglary of famous and well protected bank which belonged to his former partner in crime, backstabbing and double-crossing Kramer. Kwinto designs a clever plan not to only rob the Kramer's bank but to make it look like Kramer himself did it.

It is a bitter story about a middle-aged man, who hates his life and other people, including himself. Adam Miauczynski, the character known from director Marek Koterski's previous films, is a 49 year-old teacher, who reads poetry during school lessons and later goes home swearing and calling his neighbours' names. The worst pain for him is the next 5 minutes of living. He doesn't accept himself and even everyday contacts with others cause his aggression. Though constantly dreaming of a romantic love, he is not bold enough to make his dreams come true. The desperate Miauczynski personalizes our own fears and obsessions, which have become so visible recently.

An innocent cab driver is mistaken for a contract killer and imprisoned. Soon, he is sprung by a mob boss who needs a "killer" for a few more jobs.

A sequel to "Vabank" (1981), introduces the same characters entangled in a duel between a former safecracker and a crooked bank manager.

Two scientists are chosen as guinea pigs for a time experiment: they are placed in hibernation and should be brought back to life after three years. In the meantime, however, World War III breaks out and life has been wiped off the surface of Earth. When they wake up, it turns out that not only 50 years have passed but also that they are the only living specimens of the male sex in a new, underground society composed exclusively of women.

A young man is confronted with corrupt and vindictive colleagues at work and negligent officials at the hospital where his mother is dying. As he searches quixotically for a steadfast moral code by which to live, he suffers from the knowledge of human frailty and our darker inclinations to do harm.

In post-communist Poland, former secret police agent Franz Maurer works as a regular cop pursuing a major drug ring. As he and his old comrades lose their privileges and face public scorn in the new reality, Franz realizes that some of his former colleagues are now on the opposite side of the law.

Mały Zgon may seem like a quiet town - but just below the surface lies a twisted web of crooked cops, drug kingpins and high-stakes poker games.

A dramatization of one man's rescue of Jewish refugees in the Nazi-occupied city of Lviv. In Darkness tells the true story of Leopold Soha who risks his own life to save a dozen people from certain death. Initially only interested in his own good, the thief and burglar hides Jewish refugees for 14 months in the sewers of the Nazi-occupied town of Lviv (formerly Poland).

The story follows a young scientist in the contemporary world, who actually came from the world of dwarves, thanks to a magic potion, held by the Big Eater, ruler of the dwarves. The dwarf kingdom, Shuflandia, exists in a cellar of a library, and only the most obedient get the chance to grow to king size and inhabit the larger world. Once there, nobody wants to return to Shuflandia. Also, there are no women in Shuflandia.

Jerzy Stuhr scripted, directed and plays four roles in this Polish comedy about four men -- an army officer, a college instructor, a priest, and a drug dealer -- and their relationships with four females. An attractive student puts the teacher in an awkward spot when she reveals her love for him. An 11-year-old informs the priest that she's his daughter. The army officer is pleased when confronted by a past lover. The drug dealer, taken prisoner, must decide whether or not to trust his wife with his hidden loot. In the wrap-up, the elderly accountant passes judgment on all four men. Stuhr acted in films by the late Krzysztof Kieslowski, who had some input here by offering advice to Stuhr on this screenplay.

The film shows the gray reality of a Polish unemployed slacker still living (despite 30 on the neck) "on mommy's pot". Just what to do when one day she runs out? Where to get money for living?

The sophisticated thief of art Robert "Cuma" Cumiński is released on probation from the local prison by the corrupt Doctor Wiaderny to organize the theft of the famous Leonardo Da Vinci painting "Lady with Ermine" for the dealer Gruby. Three years ago, Cuma was accidentally arrested by the snoopy detective Wilk after a successful heist in the house of the collector Lehman, but he has not ratted his comrade Julian.

Marcin Kroll deserts from his military unit that’s headed to the training ground. Lieutenant Arek is sent after him, tasked with bringing Kroll back to the unit before an official investigation begins. The officers fear a scandal: the inquiry could expose the brutal conditions in the unit that drove several soldiers to suicide.

The protagonist of the film is a 50-year-old businessman, Tomasz Adamczyk, who wants to give up running his winery business and devote himself to his lifelong passion for philosophy. This idea does not appeal to his business partner. On top of all this, Tomasz has an accident and is taken hostage by enthusiasts of the wine he produces.