The Anthropology of a Fight Scene

Once again, director Shunichi Kajima and star Takanori Jinnai are teaming up to create a new type of yakuza film that stylishly depicts the short but vibrant life of legendary urban yakuza Takashi Hanagata.

A new wave Yakuza film in which Takanori Jinnai plays a young Yakuza suffering from stomach cancer who has very little left to live. This film is based on the posthumous manuscript of Shoji Kaneko, the legendary director who died of cancer after completing work on the hit "Ryuji".

Former yakuza gang boss Noboru Ando reminisces about old partner in crime Kei Hanagata.

The teenaged children of various wealthy businessmen are being kidnapped and extorted for huge sums of money. The police have no clues and things are getting desperate. Enter in the elite crime fighting unit "PG"(Private Government) or more affectionately called "Playgirl".

Youngsters find work as part-time festival street vendors and flourish in work, friendship and love.

Biopic of yakuza Noboru Ando, based on his autobiography.

The familiar father-daughter duo uncovers the truth behind the murder case and the great evil lurking in the background!

In the midst of a bad economy, Yokoyama, the vice president of Taiyo Real Estate, launches a plan to cut back on his labor force. Fifty employees are segregated into a special assignment division and given an ultimatum: meet a sales goal of 1.5 billion yen within three months or be fired. Spiteful of their unjust treatment, two men, Shinoda and Takigawa, take up the battle against the ruthless Yokoyama.

When Koryu's childhood friend Shurei is abducted by gangsters, the desperate young woman recruits a female martial artist and a tough-as-nails stranger to join her for a dangerous rescue mission.

The dead body of Maki Tsujimoto, a popular stage actress, is discovered in a theater in Oji. After striking her in the back of the head with a bronze statue prop, the criminal laid the body on the floor and pointed a light at it, "directing" the crime scene as if it were a scene from a play.

The body of Shinsuke Maeda, a wealthy older man, is discovered in his garden. While at first glance it appears that he missed his step while exiting into the garden and hit his forehead on a flowerbed rock, it is established that a safe installed in the living room has been emptied. It seems that, the night before, Maeda left the hospital he was staying at of his own will and came home, and was robbed immediately after returning. His daughter Yumie Nagano insists that Chikako Inui, a woman her father had been seeing, must be the perpetrator. She says that Maeda was thinking of getting married to Chikako soon. However, Chikako finds Yumie and her husband suspicious. Troubled by debts incurred by opening their ramen store, they pestered Maeda and he pushed them away. She calmly points out that Maeda gave her a will in which he left all of the 50 million plus yen hidden in the safe to her, so she had no reason to steal from him.

A man and a woman drift ashore after a typhoon. The man, dead, is an escaped perpetrator, and the woman, alive, is a hairdresser Masako. A detective in charge of an embezzlement case is tracking the whereabouts of disappeared money and suspects Masako. One year later, a real estate company president dies a suspicious death in front of Masako at her beauty salon. Was it an accidents or murder?

The fear of the fiercely obsessive woman who deprives her best friend of her husband. An emotionally charged movie starring Hitomi Kuroki, Masato Furuoya, and Hisako Manda.

A young outlaw racing through the streets of Yokohama. Will the love that slipped through his fingers like sand come back to him once again?

The ephemeral and vivid brilliance of three men and a woman run through Yokohama.

The first 'Kizu Blood Apocalypse' film.