Así como en la lluvia

Elvira, an artist devoted to painting, he decides to live on the edge and take a frenetic game in which each day has one foot in the world of the dead. The painter, after several suicide attempts, decides to start a bizarre system created by a Russian poet based on chance. It involves taking one pill per day, being one which snatches life.

In an unforgiving society, five characters fall into a deep existential crisis that leads them to take desperate measures. Manu Ochoa reflects on his second film on uncertainty and irreversibility of depression, as well as human behavior to sudden changes.