Il conte Nikolaus

Margherita Vicario talks about the making of “GLORIA!” Between departments, preparation, shooting and post-production, straight to the BERLIN 2024 festival. Dedicated to all the workers who contributed to making the film.

Purehearted teen Lazzaro is content living as a sharecropper in rural Italy, but an unlikely friendship with the marquise’s son will change his world.

As a major criminal investigation tries to stem the flow of corruption, Italy is poised on the brink of collapse.

In late 18th century Venice, in a convent school for girls, Teresa, a student with prophetic gifts, joins forces with some amazing music-makers. They create a new kind of pop, bright and bold, and challenge the ancient and rigid system.

The arrival of an attractive young teacher in a small town in the Po valley disturbs the drowsy life of the place, leading eventually to a murder.

Still an unsuccessful punk rock musician at 36, Stefano returns to his hometown in the countryside to help with his family's business.

To avoid being sued, a film director reluctantly agrees to set up and direct the Good Friday celebrations in a small Tuscan town.

Leo Bernardi is a successful and acclaimed Italian director. He’s approaching the end of his career but he cannot accept his slow decline. He has just finished shooting his last movie and he’s deeply sad. The movie is inspired by the novel about Casanova written by Arthur Schnitzler, a character so similar to the director, even more than he could imagine. Schnitzler’s Casanova is aged, glory days are over: he lost his charm and his attraction to women, he’s broke and no more eager to travel through Europe. After a long exile, he just wants to go back to Venice, his homeland. While traveling home Casanova meets a girl, Marcolina. She reawakens his desire, lost for years. So, he tries to seduce her but that leads him to a tragic understanding: he’s an old man now. It’s not by chance that Leo Bernardi decided to tell this story right now, in a pivotal moment of his life and career. The destiny of both Casanova and his director leads them to a final confrontation.

In Milan, Matteo is an underemployed physicist, giving the occasional lecture at a university while working at a PR firm where he knows he'll be fired. Without his really trying, two women are attracted to him, a blond and a brunette. The blond is Angelica; they meet smoking on the office rooftop. To his surprise, she has clout in the company and soon has him flying off (with her) to make presentations. The brunette is Beatrice, a new flatmate, hoping for a teaching job in the national service. Angelica dangles a posting with her in Barcelona; Beatrice is simply Beatrice. Will Matteo figure out what he wants - and decide before opportunity passes him by?

Dino craft practice tattoos, Bruna is a beautician; their studies are facing each other. They learn of a mysterious treasure hidden in a chair that belonged to a woman now dead.

Six aspiring comedians tired of the mediocrity of their lives, at the end of an evening stand-up course they prepare to face their first performance in a club. In the audience there is also an examiner, who will choose one of them for a TV show. For everyone this is the great opportunity to change their life, for some it could be the last one. The performances begin and each comedian takes the stage with a great dilemma: to respect the teachings of their master, devoted to intelligent and uncompromising comedy, or to twist their numbers to satisfy the much less refined taste of the examiner? Or maybe look for a third way, one of absolute originality? Through the stories of six comedians, Comedians is a reflection on the very meaning of comedy in our time, facing absolutely topical issues.