Rivalry and War

Hello, Trouble

A fishing boat captain searches for romance in hopes of improving his financial picture.

The original concept of the show was to allow the viewer to see the inner workings of a movie studio and featured interviews with MGM stars and explanations of how movies were made. Later, the format changed to show edited versions of MGM films.

Various MGM stars from yesterday present their favorite musical moments from the studio's 50 year history.

Wallace Beery, in his final film, plays a bandit in this period drama set in Colonial America.

Guests at a posh Berlin hotel struggle through worry, scandal, and heartache.

The rituals of courtship, romantic rivalry, and love play out three times as a man vies with a villain for the girl. In the Stone Age, the rivalry is set off by dinosaurs, a turtle used as a ouija board, and a round of golf with stones. In ancient Rome, the men display their brawn through a chariot race, using dogs instead of horses. In contemporary times, the man finds himself overcome by modernity, including a very fragile car.

An ambitious New York socialite plans an extravagant dinner party as her businessman husband, Oliver, contends with financial woes, causing a lot of tension between the couple. Meanwhile, their high-society friends and associates, including the gruff Dan Packard and his sultry spouse, Kitty, contend with their own entanglements, leading to revelations at the much-anticipated dinner.

The first film adaptation of Sir Arthur Conan Doyle's classic novel about a land where prehistoric creatures still roam.

The story of two Naval crewmen who work hard at sea and play harder on land.

Set in the years before and during World War I, this epic tale tells the story of a rich Argentine family, one of its two descending branches being half of French heritage, the other being half German. Following the death of the family patriarch, the man's two daughters and their families resettle to France and Germany, respectively. In time the Great War breaks out, putting members of the family on opposing sides.

Convicted of manslaughter for a drunken driving accident, Kent Marlowe is sent to prison, where he meets vicious incarcerated figures who are planning an escape from the brutal conditions.

In this early film adaptation of the classic novel by Robert Louis Stevenson, young Jim Hawkins is caught up with the pirate Long John Silver in search of buccaneer Captain Flint's buried treasure.

Amid big-budget medieval pageantry, King Richard goes on the Crusades leaving his brother Prince John as regent, who promptly emerges as a cruel, grasping, treacherous tyrant. Apprised of England's peril by message from his lady-love Marian, the dashing Earl of Huntingdon endangers his life and honor by returning to oppose John, but finds himself and his friends outlawed, with Marian apparently dead. Enter Robin Hood, acrobatic champion of the oppressed, laboring to set things right through swashbuckling feats and cliffhanging perils!

As Alice and Cora Munro attempt to find their father, a British officer in the French and Indian War, they are set upon by French soldiers and their cohorts, Huron tribesmen led by the evil Magua. Fighting to rescue the women are Chingachgook and his son Uncas, the last of the Mohican tribe, and their white ally, the frontiersman Natty Bumppo, known as Hawkeye.

In Le Livre d’Image, Jean-Luc Godard recycles existing images (films, documentaries, paintings, television archives, etc.), quotes excerpts from books, uses fragments of music. The driving force is poetic rhyme, the association or opposition of ideas, the aesthetic spark through editing, the keystone. The author performs the work of a sculptor. The hand, for this, is essential. He praises it at the start. “There are the five fingers. The five senses. The five parts of the world (…). The true condition of man is to think with his hands. Jean-Luc Godard composes a dazzling syncopation of sequences, the surge of which evokes the violence of the flows of our contemporary screens, taken to a level of incandescence rarely achieved. Crowned at Cannes, the last Godard is a shock film, with twilight beauty.