Moacir

Three women turn the camera into a tool for expression and play: from the VHS recordings of the ‘80s to the rise of TikTok, the documentary explores how their videos transcend the everyday, reinventing worlds and sharing creativity.

A post-apocalyptic universe. A metropolis of two societies. On the surface, a regime that isolates the individuals in elite. A whole city scraped in the underground, where survival is the only law. Up and down don’t merge. Yet the Mole will climb up to fulfil his dreams.

A documentary that explores the uniqueness of its characters, Chinese migrants from several generations living in Argentina. Stories such as that of Gustavo Ng, a journalist active in the bilateral political conversation, or Federico Chang, who is training to become a professional soccer player.

Martín, a TV host of 42, has the urgent need of becoming a father. Leonardo, an agronomist of 45 and Martín’s partner for the past ten years, has doubts since he himself was adopted by his parents.

The third and last part of the trilogy where we see Moacir as a film director: the film and the scenes that Moacir conceives and shoots - scenes entertained, tragic, dramatic and romantic - with its particular cinematic and aesthetic style. On the other hand, we see the behind the scenes of the construction of this film: a documentary that shows Moacir conducting his fictions, in everyday familiar situations.

A medieval heresy and the first Protestant church in history, the Waldenses are both an 850-year-old peasant community and a current that in recent decades has challenged the Vatican on issues such as gay marriage, euthanasia and abortion.

Diverse stories of characters who live locked up in institutions of seclusion. Old, crazy, sick and prisoners looking for ways out of the asphyxia that surrounds them.

Based on the epic, written on twelve 5000 year old clay tablets, this is the first film adaptation of Gilgamesh.

Clarita is 13 years old and lives in Rosario with her parents and sisters. She has an unusual curiosity and a defining passion: astronomy.

Jack Fuchs is one of the last Holocaust survivors who currently lives in Buenos Aires. With a serene face, relaxed tone and intelligent humor, it is difficult to connect this Pole with that man who was imprisoned for years in concentration camps, including Auschwitz, and who lost his entire family in World War II. Despite the pain, and after 40 years of silence, Jack offers talks and conferences, receives visitors and cooks for his family and friends. Using animation and images filmed by Fuchs himself as resources, the new documentary by Tomás Lipgot composes the portrait of a survivor of the Nazi genocide who, at almost ninety years old, surprises with his lucidity and enchantment.

The filmmaker, writer and teacher-teacher Ricardo Becher likes extreme decisions, both in his life and in his work. Now, at 80 years of age, he begins a new book called “Recta Final”, about his geriatric experience. Lipgot portrays the present of the filmmaker, at the same time that he reviews his history, from his first shorts and the collaboration with Torre Nilsson, passing through the fundamental "Shot of Grace" (1969) - a film that defied its time and was censored -, leading to the new movement that Becher founded with his students: digital neo-expressionism

Moacir has died, but he’s able to live in images and in Tomás Lipgot’s heart. The director cannot abandon his unforgettable character yet, and so he embarks on a farewell that is also some sort of personal journal made with all the warmth and care in the world.

“Neuquén,” “Eva, can I stab bats in a cave?”... We know about those. What perhaps we don’t know is that there are fans that have turned palindromes into the passion of their lives. A happy journey through four countries, with dozens of men and women for whom the beauty of words lies in symmetry.