Santa Cándida

Cándida Villar is a clumsy Galician maid who speaks improperly, get a lot of troubles in all the conversations with her bosses, simple and straightforward who from night to morning becomes the most lucky woman of the word because she mets a hilarious gallery of character in an art gallery.

Cándida and Jesús decide to purchase a Bed and Breakfast in Buenos Aires. But in the hostel already lived an Italian opera singer that provokes the jealousy of Cándida.

Servant in a wealthy household and her employer unexpectedly get all romantical together. His daughter isn't so keen on the marriage when it happens.

After being decorated for a meritorious act, Cándida finds herself involved in the activities of some scammers who try to use her fame.

Cándida marries a widowed millionaire. She is in full exercise of being the housewife, when her husband's daughter arrives, with the company of Amelita Vargas with 2 purposes: to find out what her father is hiding and that she marry him..

A child suffering from leukemia craves getting on a plane, so at a U.S. base located in Zaragoza will make the kid a favor and grant his wish.

El Grito Sagrado (The Silent Call) is a fictionalized retelling of Argentina's fight for independence from Spain. The story is "personalized" by being related through the eyes of Mariquita Sanchez de Thompson y Mendeville, played by popular Latin American leading lady Fanny Navarro. Rebelling against the cozy traditionalism of her family, Mariquita weds tireless patriot Martin Thompson (Carlos Cores). She remains by her husband's side as he helps to fend off a British invasion and to achieve freedom for the Argentine slave population. Oddly, the principal villains in the film are the British, a reflection perhaps of Argentine dictator Juan Peron's ongoing efforts to curry favor with Spain.

Two girls without blood relationship but physically the same. One is shy and educated, the daughter of a good class marriage and the other is a very clever orphan but with terrible manners who lives in a kind of shelter.

Isaac Albéniz was a child prodigy, and the victim of a tyrannical father. He flees from his house, to America. He returns to his country years later, where he achieves international fame and the attention of many women.

With the help of a rich young woman, a singer who lives in the precarious housing area that existed in Puerto Nuevo comes to fame.

A school teacher tries to support his school against unjust measures by the government and a rich woman helps him.

For ambition a woman sacrifices her true love and marries a man of fortune.

Three-episode film linked to each other by means of a medallion, where love is the engine that drives people to act the way they did.

Biography of San Juan Bautista de la Salle , where the effort and hardships that this canon of the nobility had to overcome in order to offer universal and free education to children, his main devotion, in the time of Louis XIV, are appreciated.

Juan Pérez is a waiter in a luxurious place where the bachelor party of a man who is going to get married for convenience is done. When a dancer and singer with whom he was entangled, chases him, he uses Perez to get rid of her.

On New Year's Eve 1899, Soledad is peddling violets in a Madrid busy street when she meets aristocrat Fernando. The couple falls in love but their different social backgrounds threatens the relationship. Fernando is under constant pressure from his older brother Alfonso who reminds him of his duties including his engagement to Magdalena, a countess. Disregarding all social conventions and scandalizing high society, Fernando sets up Soledad in a plush apartment and announces their marriage plans.

The lawyer Angela Goñi is working in two cases at once: an man that wants to take to Pilo, a young orphan, tp a protection child school. And Mili, another young woman neglected by his father, a businessman, whose aunt Teresa wants to claim through the courts. Taking advantage of the amazing similarity between the girls, the lawyer makes many things to try to resolve the situation as happy as possible.

A film star enjoys a romance with the daughter of a puppeteer, but his criminal past threatens to ruin it.

Charo is a fashion model, in love with enigmatic Adolfo. The fashion house where she works is ruined. In a parade, an English lady confuses her with a countess and invites her to spend some days in Estoril. There, Charo will try to save the company from bankruptcy.

Alfonso de Borbón and his cousin María de las Mercedes de Orleans fall in love and, although both families do not maintain good relationships, young people marry when Alfonso became king of Spain.