Polka-Dot

Memories of the life and visions of the Balkan prophet Baba Vanga, who was predicted the future of human kind and the world up to its end in the year 5079. Baba Vanga, as an older woman, tells how she lost her sight but "began to see". Following an accident, ghosts of dead people came to her to reveal what would happen to the world. Some of her predictions actually happened, some didn't, and for many predictions time will show.

A world in lock-down. As a global pandemic unfolds, 13 international filmmakers pen cinematic letters from their places of isolation, whether home or far from home. A work of accidental science-fiction from the Bistrik7 collective, graduates of Béla Tarr's Sarajevo film.factory.

Two girls' metaphorical journey through stages of womanhood. The metaphor being a game of hide and seek in an abandoned house

Partly paralysed by polio, Vlado is stuck in his flat and unable to take care of himself. His younger wife, Alma, helps Vlado with love and tenderness in all his daily life activities, never giving up hope that he will get better. But Vlado feels weak and humiliated, losing the motivation to exercise or take medicine. In spite of the love and intimacy between the couple, Vlado’s self-loathing causes him to reject Alma. Haunted by visions of a half-man/half-horse, Alma considers alternative ways to solve their situation. The Centaur appears in a dream and gets closer and closer to their reality, pushing events towards an extreme conclusion. Vlado decides to end his misery, to bury the dead part of his body and wait for a miracle. Alma’s love is challenged but she executes the simple ceremony with dedication. By dawn, the magic happens.

The experiment presents a cinematic poem to filmmaking and film itself. Directed by eleven filmmakers, all under the vision of Bela Tarr's 'film.factory', delving into what keeps us making films.

Limits of hospitality and friendship tested by a guest.