Fortaleza Hotel

After the sudden death of his wife, Ezequiel lives sad and resigned in solitude. Until the day that an extra-terrestrial being appears in his life and changes the color of his destiny.

After eight years of a political exile imposed by the Brazilian military dictatorship, sociologist Herbert de Souza returns to his homeland. Alongside democracy activists, he faces the arrival of AIDS and puts the devastating impact of hunger under the spotlight. Overcoming his fragile health and personal tragedy, he creates the largest social awareness campaign in Brazilian history.

Twenty years after City of God, Buscapé recounts how conflicts between police, traffickers, and militias impacted the community.

Maria de Déa, Lampião's companion and first woman in the Cangaço, is a fearless young woman who dares to have a voice in a group of outlaws. In a life of escapes and armed disputes, Maria faces a pregnancy and is subdued to the harshest law of the Cangaço: handing over her baby to be raised by someone else. She begins to live between life in the group and the hopeless desire to raise her daughter.

Donato fails in his attempt to save a drowning man, and meets one of the man's friends. He decides to start his life over, but pieces of his past keep coming after him.

Madalena is a film producer having to deal with the recent death of her father, her 8-month pregnancy and the production of a B-sci-fi film where everything seems to go wrong.

Pedro, a 70-year-old gay nurse, is taking care of Daniela, his ailing transgender friend. In order to find her a vacant hospital bed, he decides to help an arrested and wounded criminal to escape.

On a hot summer day, Paloma decides to fulfill her most cherished dream: a traditional wedding in a church with her boyfriend Zé. She is a devoted mother, a hard-working farmhand in a papaya plantation and has been saving to afford the celebration. The priest’s refusal to marry her and Zé will force Paloma to confront the rural society. She suffers violence, betrayal, prejudice and injustice but nothing shakes the faith and determination of this transgender woman.

The animal is in motion, it is impossible to hold it. The bodies vibrate, dance and desire.

The end. Grete, beach personality from Canoa Quebrada, is dead. His story goes back in time, moments in his life reveal his trajectory until the moment he makes the fateful decision to leave Circo Maximo and venture out alone. The beginning of the end.

Grupo Galpão's adaptation of the play "The Imaginary Invalid" by Molière

The story of Raimundo, an illiterate man who in his youth had his secret love brutally interrupted and who for fifty years kept a letter from him that he was never able to read.