Estamos Te Esperando Em Casa

Janaína is an 18-year-old girl who lives with her mother and grandmother in a housing complex on the outskirts of Recife. She is the first person in her family to obtain a university degree, but an unwanted pregnancy threatens the plans she had made for her life.

A short film about love and sexuality in the old age, and the struggle to overcome social conventions.

A quasi-musical approach on contemporary urban life that reflects Brazilian society and many others throughout the world, this documentary describes at the same time a place, a city and a country. The real place, a neighborhood in Recife, encompasses all of the Brazilian way of life, highlighting a reality that is before us but often goes unnoticed

Brazil. Historically Pernambuco state in the country’s northeast was characterised agriculturally by the sugarcane industry. Today there is a new sector in the economy: various evangelical Christian groups are on the rise. The mantra of the evangelicals, who have gained an ever-increasing influence in Brazilian society over the past years, is the attainment of improvements in one’s personal and economic situations through adherence to an extreme religious practice. In Brazil the evangelicals have established themselves as a growing political power over the past years. They control segments of the media and preach hate and intolerance towards homosexuality and other creeds. HOLY TREMOR focuses on a young generation of priests, producers and singers who hail from a rural area and make gospel music. Wagner and de Burca take into account the environment of the protagonists in order to make ethics, morality and life visible in an aesthetic agglomeration.

A documentary about an intinerant amusement park that travels through the poor Brazilian Northeast and the hardships faced by the people around it.

The arrival of the Suape port and industrial complex brought business opportunities for large construction companies and their planned "high standard" neighborhoods in contrast to the life in the periphery and rural area of Cabo de Santo Agostinho (PE), the most vulnerable city for the young black men in Brazil.

Road movie through Peru, Buenos Aires, São Tomé das Letras, Recife and São Paulo, but with no defined destination. It records the lifestyle of those who live free in the world, nomads in the sub-continent of Latin America.

The film tells the story of Mestre Salustiano, one of the most famous folk artists in Brazil. Son of the fiddle's player, João Salustiano, Salu dreams from an early age of joining a Cavalo-Marinho group, a traditional folk dance from the region where he lives.