The Big Animal

The Ten Commandments, exact and uncompromising, literally cast in stone, continues to provide a source of moral conflict in contemporary society. In the ten part collection of films, The Decalogue, Krzysztof Kieślowski examines the dilemma of fundamental sin in the lives of ordinary Warsaw citizens.

The early 1980s. A former entertainment industry star is now selling leather goods. One day, he watches a TV interview with a department store employee who smelled gas leaking and prevented a tragedy in time. This gives him an idea. With the support of his journalist friend Lutek Danielak, he begins to organize a series of meetings with the "hero of the year" across the country. He hopes that this will help him make a comeback in the industry. The meetings gain momentum. Lutek accepts the offer to host the final "Miss Polonia" contest.

Filip buys an 8mm movie camera when his first child is born. Because it's the first camera in town, he's named official photographer by the local Party boss. His horizons widen when he is sent to regional film festivals with his first works but his focus on movie making also leads to domestic strife and philosophical dilemmas.

Jerzy Stuhr plays a high school teacher with a sensitive outlook on life and a soft spot for students who like art and literature as passionately as he does. His adversary is a possessed sports instructor, gaining growing control over the students and authorities. His methods are questionable and his influence dangerous, but the handball team's prospects look good and the school needs success...

Witek runs after a train. Three variations follow on how such a seemingly banal incident could influence the rest of Witek's life.

Polish immigrant Karol Karol finds himself out of a marriage, a job and a country when his French wife, Dominique, divorces him after six months due to his impotence. Forced to leave France after losing the business they jointly owned, Karol enlists fellow Polish expatriate Mikołaj to smuggle him back to their homeland.

Two scientists are chosen as guinea pigs for a time experiment: they are placed in hibernation and should be brought back to life after three years. In the meantime, however, World War III breaks out and life has been wiped off the surface of Earth. When they wake up, it turns out that not only 50 years have passed but also that they are the only living specimens of the male sex in a new, underground society composed exclusively of women.

Set during the Nazi occupation of Poland, the story follows Michał, who witnesses the murder of his mother, wife and child and then is hurled into a life that literally is not his own; a surreal world littered with trapdoors, doppelgängers and wormholes.

A dramatic story about a young man entangled in complicated matters of war, conspiracy and political struggle. The action of each part of the triptych presents one day from different years. These are fictionalized experiences of an authentic participant of the Polish resistance movement during the Nazi occupation.

Created to mark the 60th anniversary of Poland's regained independence, Andrzej Wajda's acclaimed seven-hour stage production As the Years Go By, As the Days go By... follows two Kraków families between 1874 and 1914.

An old film director, unhappy with the movie he's shooting about a Hungarian circus stranded in Rome during the 1956 anti-Soviet uprising, faces divorce from his producer wife and other problems.

Jerzy Stuhr scripted, directed and plays four roles in this Polish comedy about four men -- an army officer, a college instructor, a priest, and a drug dealer -- and their relationships with four females. An attractive student puts the teacher in an awkward spot when she reveals her love for him. An 11-year-old informs the priest that she's his daughter. The army officer is pleased when confronted by a past lover. The drug dealer, taken prisoner, must decide whether or not to trust his wife with his hidden loot. In the wrap-up, the elderly accountant passes judgment on all four men. Stuhr acted in films by the late Krzysztof Kieslowski, who had some input here by offering advice to Stuhr on this screenplay.

The newly elected Pope suffers a panic attack just as he is about to greet the faithful who have gathered to see him. His advisors, unable to convince him he is the right man for the job, call on a renowned therapist who also happens to be an atheist. But the Pope's fear of his newfound responsibility is one he must face alone. Winner Best Film at the Italian Golden Globes.

Poland, Christmastime. A band of hyperintelligent, bloodthirsty Martians take over the country and enlist hapless television newscaster Iron Idem as the voice of their propaganda machine. But when Iron dares to go off message, he makes an enemy even greater than the aliens—the state itself.