Sad Machines

In 1969 Argentine filmmaker Hugo Santiago directed Invasión, his opera prima, written by Jorge Luis Borges and Adolfo Bioy Casares, and later settled in France. This film documents his return to Buenos Aires in 2013 to shoot his latest film, Le ciel du centaure.


An enormous effort of narrative complexity made up of six independent, successive stories, connected by the same four actresses living very different experiences in very different universes…

A story by Mario Levrero and a mythical house in the Paraná Delta (Tigre - Argentina) conspire to shape this film, as two pieces that complement each other but without keeping a total synchronization. The voice-over becomes the common thread of a fantastic surreal story about strange events that occurred in an abandoned house. The action highlighted with the unique presence of insects, shadows, reflections and rain, proposes scenarios for the specific spaces in the story and invites you to recreate the characters and events narrated there.

Portrait of the mythical ballerina Iris Scaccheri, made entirely with photographies.

A brief record of the insects and arachnids that visited my house during a very hot summer in Buenos Aires.

Martin Blaszko is considered one of the most important artists of geometric abstraction in Latin America. This documentary, which ends a trilogy, follows the setup of what ended up being his last art show, through only twenty sequences.

A childish and robotic voice lists different adventures together with its particular pets: snails. As if it were a scientific report, the real and the fantastic merge in this unique story.

A story rescued from the memory of an old woman exposes a fascinating parallel between humans and numbers.