Yesterday Girl

Yesterday Girl

1967 · 88 min · ★ 6.5 · Drama

A young German woman searches for happiness, liberation, and independence in the illusive wake of a transformative national recovery.

Directed by Alexander Kluge · Written by Alexander Kluge

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Yesterday Girl

The Tiger of Eschnapur

Both from Alexander Kluge.

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Frau Blackburn, geb. 5. Jan. 1872, wird gefilmtFrau Blackburn, geb. 5. Jan. 1872, wird gefilmt · 1967
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Mrs. Blackburn, born in 1872, i.e. before the history of cinema began, is Alexander Kluge's grandmother. Portrait of this lady.
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News from Ideological Antiquity - Marx/Eisenstein/The Capital
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The Assault of the Present on the Rest of Time
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In Eschnapur, a German architect saves the life of the Maharajah's favorite temple dancer and becomes Maharajah's friend but their friendship is tested when the architect and the dancer fall in-love, triggering the Maharajah's vengeful ire.
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Seetha and Harold Berger are rescued from the desert by a caravan and brought to a small village. However, the greedy owner of the house where they are lodged betrays the law of hospitality and reveals their location to Prince Ramigani. The couple tries to escape but is hunted and captured by Ramigani and his men. Meanwhile Irene Rhode and her husband Walter Rhode suspect that Maharaja Chandra is not telling the truth about Harold's destiny. The conspirator Ramigani forces Seetha to accept to get married with Chandra to provoke the wrath of the priests and get the alliance of Prince Padhu and his army. In the meantime, Harold succeeds in escaping from the dungeon and seeks out Seetha to save her.
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Made with an eye to the autumn of 1980 when the German parliamentary elections took place, The Candidate examines Germany’s history past and present and Franz Josef Strauß, the man who, as the CDU/CSU candidate, aspires to be elected to the most important political office in the land.
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Roswitha runs an illegal abortion clinic in Frankfurt to support her student husband and children. When she is forced to close her practice she delves into political and social activism.
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Two women during WW2 living in a Hunsrück village embark on a trip to Vienna.
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Combining fictional and documentary modes, the film takes a critical stance toward Frankfurt's public sphere and urban redevelopment. Despite the serious formal and political concerns of the film, Kluge's heightened sense of the absurd safeguards a reserve of utopian optimism.
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Emotions and feelings should not be confused with sentimentality. Emotion is ancient and more powerful than any artistic expression. The film observes young couples facing difficulties while trying to move their love experiences towards clear decision making. A film full of ideas, details and associations, fictional scenes, documentary footage, archival materials and opera music.

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