Goya, May 3rd

Ana, an eight-year-old girl living in Madrid with her grandmother and two sisters, mourns the death of her mother.

A look at the history and traditions of flamenco music and dance.

Three veterans of the Spanish Civil War go rabbit hunting. While doing so, old wounds open up.

After the death of his wife, Angel, a university professor and writer, he falls into a severe depression. He flees to his house in the country, but there the evil is accentuated, which leads him to an attempted suicide that Teresa, his young neighbor, saves him. Angel starts a relationship with her and her partner, Alberto. Soon he falls in love with Teresa and, through a passionate relationship, he frees himself from his torments. Teresa, Alberto and her theater group on stilts ask her to write a play to represent her in the town. Obsessed by Teresa, she is vivified with this experience with the young, but she soon moves away from him carnally. This rupture desperate and as Teresa disabuses him of any possibility of continuity, in the mind of Angel reappears suicide as the only solution

The young but traveled Ana arrives in a manor in the countryside of Spain to work as nanny of three girls and finds a dysfunctional family.

During the Spanish Civil War, a group of comics lightens the days of the Republican troops. Tired of life in the front lines, they make their way to Valencia, accidentally entering enemy land and falling prisoner.

While rehearsing a flamenco ballet adaptation of Bizet's opera “Carmen”, Antonio, the choreographer, falls in love with the main dancer, Carmen, a fiercely independent woman. Antonio is slowly consumed by jealousy and possessiveness towards Carmen, just like Don José in the original opera, blurring the lines between fiction and reality.

A dangerous love affair inspires a director to create the most spectacular and boldly seductive dance film ever made.

Isabel Jimenez is a teenager witnessing a horrible feud between her own family and the Fuentes family, a feud involving broken hearts, property disputes and a mysterious fire that destroyed the Fuentes house. Isabel's uncle is murdered by Jeronimo Fuentes, who later tries to stab her father. After Jeronimo dies in jail, Isabel must look outside of her family for the truth, learning from the village idiot that her father may have set fire to the Fuentes home.

Julián, a middle-aged single doctor, is reunited with Pablo, a childhood friend who has just married Elena, a beautiful young woman.

A dance troupe prepares for and completes a dress rehearsal of Federico García Lorca's tragic play "Blood Wedding," which is about a bride who runs away from her wedding with a former boyfriend.

Angela is a young waitress who turns her back on society when she meets and falls in love with Pablo, a reckless criminal delinquent. Along with Pablo’s gang of car thieves, the pair embark on a drug and disco-fueled robbery spree as they hurtle toward oblivion.

Salomé's story interpreted by a director and a troupe of flamenco dancers.

The film presents thirteen rhythms of flamenco, each with song, guitar, and dance: the up-tempo bularías, a brooding farruca, an anguished martinete, and a satiric fandango de huelva. There are tangos, a taranta, alegrías, siguiriyas, soleás, a guajira of patrician women, a petenera about a sentence to death, villancicos, and a final rumba.